Drawing from the microscope kept even pace on the whole with increasing skill in making preparations, and with the improvement of the instrument. If we compare together the drawings of Mirbel and Kurt Sprengel in the beginning of the century, those of Link and Treviranus in 1807, Moldenhawer’s in 1812, and Meyen’s and von Mohl’s from 1827 to 1840, we shall obtain a rapid and instructive survey of the history of phytotomy during this period of forty years. The figures testify at once to constant increase in the magnifying powers, to the greater clearness of the field of sight, and still more to the constant improvement in the arts of preparing and observing objects. But a curious misconception crept in among the phytotomists at this time; they believed that more correct and trustworthy figures would be obtained, if the observer and writer did not himself make them, but employed other eyes and other hands for that purpose; they imagined that in this way every kind of prejudice, of preconceived opinion would be eliminated from the drawings. Thus both Mirbel and Moldenhawer had their figures drawn by a woman, and many later phytotomists entrusted the execution of their drawings to hired draughtsmen, as Leeuwenhoek had done before them. A drawing from the microscope, like every other copy of an object in natural history, cannot pretend to take the place of the object itself, but is intended to give an exact and clear rendering of what the observer has perceived, and by so doing illustrate the verbal description. The drawing will be perfect in proportion to the practised skill of the eye that observes and of the mind that interprets the forms. The copy should only show to another person what has passed through the mind of the observer, for then only can it serve the purpose of a mutual understanding. There is also another point to be considered; it is exactly in the process of drawing a microscopic object that the eye is compelled to dwell on the individual lines and points and to grasp their true connection in all dimensions of space; it will often happen that in this process relations will be perceived, which previous careful observation had disregarded, and which may be decisive of the question under examination or even open up new ones. As the microscope trains the eye to scientific sight, so the careful drawing of objects makes the educated eye become the watchful adviser of the investigating mind; but this advantage is lost to the observer who has his drawings made by another hand. It is not one of the least of von Mohl’s merits, that he practised microscopic drawing under the influence of the views here indicated, and sought to make his figures no mere undigested copies of the objects, but an expression of his own opinions about them.