History of Embalming: and of Preparations in Anatomy, Pathology, and Natural History; Including an Account of a New Process for EmbalmingGannal, J.-N. (Jean-Nicolas)
History
History of Embalming: and of Preparations in Anatomy, Pathology, and Natural History; Including an Account of a New Process for Embalming
Gannal, J.-N. (Jean-Nicolas)
Anatomical specimens -- Collection and preservation; Embalming -- History; Mummies
M. Boudet, apothecary, was requested by a mother to prepare the body of
a daughter who had died at the age of ten years, in such a manner that
she could continually enjoy the sight of her.
A bust had been made of the infant, and they had taken care to choose,
at the moment of death, eyes of enamel perfectly resembling her own.
M. Boudet, untrammelled in his operation, which was performed at his
own house, commenced by removing the viscera, by the aid of incisions
skilfully managed. He extracted the brain through the occiput. The
eyes were taken out and replaced by a plug; all the cavities were
immediately filled with a dry stoupe, and the openings closed with
accurate sutures. During these various preparations, the body had
been plunged in a bath of pure alcohol, then into an alcohol bath
containing a little sublimate. All being thus disposed of, the body
was placed in a bath of distilled water, saturated with the sublimate,
and in which still soaked some parcels filled with this salt. The body
remained three months in this solution; forty pounds of the sublimate
were consumed; much of the mild muriate was precipitated; even a
portion of the mercury was revivified; but it is _necessary to observe_
that the vase in which he operated _was of lead_, which should occasion
the decomposition, and augment the consummation of the sublimate. At
the end of three months the body was withdrawn from the bath, in order
to proceed to the desiccation; it was suspended by bands in order to
avoid deforming it, and to let it drain: care was taken to elevate
the walls of the cavities with new stoupes, when they appeared to
be deformed; the eyelids and the lips were kept closed with English
taffeta. When the desiccation was completed, artificial eyes were put
in, some features of the face were changed, and particularly the upper
lip. A skilful artist modelled them in wax imitating the bust, which
served him as a model; the skin being observed of a gray colour, it was
coloured with paint; the hair, perfectly preserved, was very natural;
finally, this infant, clothed in its ordinary dress, and enclosed in a
glass case, presents a perfect resemblance, and causes an extraordinary
illusion.
Public-domain text, read in full here on John Shaqi.
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