History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
The first question which now presents itself is what is laughter? and
our answer must be that it is a change of countenance accompanied by a
spasmodic intermittent sound--a modification of the voice--but that we
cannot trace its physical origin farther than to attribute it to some
effect produced upon the sympathetic nerve, or rather the system of
nerves termed respiratory. These communicate with every organ affected
in mirth, but the ultimate connection between mind and body is hidden
from our view.
In all laughter there is more or less pleasure, except in that of
hysteria, when by a sudden shock the course of Nature is reversed, and
excessive grief will produce the signs of joy, as extravagant delight
will sometimes exhibit those of sorrow. We should also exclude the
laughter caused by inhalation of gas, and that of maniacs, which arising
from some strange and unaccountable feeling is abnormal and imperfect,
and known by a hollow sound peculiar to itself. None of these kinds of
laughter are primary, they are but imperfect reflections of our usual
modes of expression, and, excepting such cases, we may agree that M.
Paffe is correct in observing that "Joy is an indispensable condition of
laughter." Dr. Darwin refers to the laughter of idiots to prove that it
may be occasioned by pleasure alone. Strangely enough, he quotes as an
instance in point the fact of an idiot boy having laughed at receiving a
black eye.
Proceeding onwards, we next come to inquire why the sense of humour is
expressed by voice and countenance, and does not merely afford a silent
and secret delight? The answer may be given, that one object, at least,
is to increase social communication and multiply pleasure. The
well-being of the animal world largely depends upon the power of each
member of it to communicate with others of the same species. They all do
so by sound and gesture, probably to a larger extent than we generally
imagine. A celebrated physician lately observed to me that "all animals
have some language." How far mere signs deserve so high a name may be
questioned. But man has great powers of intercourse, and it is much
owing to his superior faculties in this respect that he holds his place
so high above the rest of creation. Orators, who make it their study to
be impressive, give full importance to every kind of expression, and say
that a man should be able to make his meaning understood, even when his
voice is inaudible. It has been lately discovered that the mere movement
of the lips alone, without sound, is sufficient to convey
information.[2] Facial expression has been given us as a means of
assisting communication, and smiles and laughter have become the
distinctive manifestations of humour. Thus the electric spark passes
from one to another, and the flashing eye and wreathed lip lights up the
world. Profit also accrues--fear of being laughed at leads us to avoid
numerous small errors, and by laughing at others we are enabled to
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