History of English Humour, Vol. 1: With an Introduction upon Ancient Humour — John Shaqi
History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
detect shortcomings in ourselves.
Sympathetic laughter does not arise from any contemplation of ludicrous
circumstances, but is only a sort of reflection of the feelings of
others. There seems to be little intelligence in it, but something
almost physical, just as yawning is infectious, or as on seeing a person
wounded in a limb we instinctively shrink ourselves in the same part of
the body. Even a picture of a man laughing will have some effect upon
us, and so have those songs in which exuberant mirth is imitated. Thus
we often laugh without feeling just cause, as we often feel cause
without laughing. All exhibitions of emotion are infectious. We feel sad
at seeing a man in grief, although the source of his sorrow is unknown
to us; and we are inclined to be joyous when surrounded by the votaries
of mirth. Not unfrequently we find a number of persons laughing, when
the greater part of them have no idea what is the cause of the
merriment. Sometimes we cannot entirely resist the impulse, even when we
ourselves are the object of it, so much are we inclined to enter into
the feelings and views of those who surround us. In this, as well as in
many other cases, the sight and proximity of others exercise over us a
great influence, and sometimes almost a fascination.
To this sympathy we are largely indebted for the diffusion of high
spirits. It is pleasant to laugh and see others laughing, and thus the
one leads to the other. "Laugh and be fat," is a proverb, and it has
been well observed that "we like those who make us laugh," because they
give us pleasure. We may add that we like to see others joyous, because
we feel that we are surrounded by kindly natures. A gallant writer tells
us that he hopes to be rewarded for his labours in the field of
literature by "the sweetest of all sounds in nature--the laughter of
fair women." Macready, speaking of this influence, says:
"The words of Milman would have applied well to Mrs. Jordan, 'Oh, the
words laughed on her lips!' Mrs. Nesbitt, the charming actress of a late
day, had a fascinating power in the sweetly-ringing notes of her hearty
mirth; but Mrs. Jordan's laugh was so rich, so apparently irrepressible,
so deliciously self-enjoying, as to be at all times irresistible."
Public-domain text, read in full here on John Shaqi.
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