History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
For all early peoples, even the least civilized, possess the germs of
literature. They have their hymns to their Divine Father above the
sky, and to gods and spirits; they have magic songs, to win the love
of women, or to cause the deaths of men; they have love-songs, and
songs of feats of war. They possess fairy-tales, and legends in prose
concerning gods and fabulous heroes; they have tales of talking birds
and beasts; and they have dances in which the legends of old heroes are
acted and sung. These dances are the germ of the drama: the songs are
the germs of lyric poetry; the beast-stories are the sources of books
like Æsop's Fables and Ovid's "Metamorphoses"; and the fairy-tales are
the earliest kind of novels.
The Anglo-Saxon invaders were, of course, on a very much higher level
than that of savages. They were living in the age of iron; they did
not use bronze for their swords, spears, and axes; much more remote
were they from the period of stone axes, stone, knives, and stone
arrow-heads. They could write, not in the Roman alphabet, but in
"Runes," adapted at some unknown time by the Germanic peoples, probably
from the Greek characters; and there is no reason why they should not
have used this writing to preserve their poetry, though it is not
certain that they did so at this early, period.
One early Anglo-Saxon poem, indeed, "The Husband's Message," professes
to be written in runic characters on a staff or tablet of wood. Even
more ancient poems may have been written and preserved in this way, but
the wood, the _bóc_ (book) as it was called, has perished, while brief
runic inscriptions on metal and on stone remain.
The Anglo-Saxon Way of Living.
The society of the Anglo-Saxons, as described in the oldest surviving
poems, was like that of the early Irish about A.D. 200
as depicted in their oldest romances, and like that of the early
Icelanders as painted in the sagas, or stories of 1100, and later. Each
free man had his house, with its large hall, and a fire in the centre.
In the hall, usually built of timber, the people ate and passed their
time when not out of doors, and also slept at night, while there were
other rooms (probably each was a small separately roofed house) for
other purposes. The women had their "bower," the married people had
their little bedclosets off the hall, and there were store-rooms. The
house stood in a wide yard or court, where geese and other fowls were
kept; it was fenced about with a palisade, or a bank and hedge. Tilling
the soil, keeping cattle, hunting, and war and raiding, by sea and
land, were the occupations of the men; the women sewed and span, and
kept house.
A group of such homesteads, each house well apart from its neighbours,
made the village or settlement: there were no towns with streets, such
as the Romans left in Britain.
Public-domain text, read in full here on John Shaqi.
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