History of English Literature from "Beowulf" to Swinburne — John Shaqi
History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
When the Anglo-Saxons became Christians (597-655) they took the Gospel,
and the rules of the Church, in the North, from the Irish missionaries
who, under St. Columba of Ireland, settled in the Isle of Iona: in the
South from Roman teachers, such as Theodore of Tarsus, who had studied
at Athens, and, in 668 became Archbishop of Canterbury. Both in the
South, and North, in Northumberland, great schools were established, in
connexion with the monkish settlements: in the monasteries Greek was
not unknown, and the language of Rome, Latin, was taught and was used
in writing all learned works, and hymns. With the language of Rome,
almost dead as a living speech, came knowledge of ancient history, and
of the great Roman poets, especially Virgil. The seventh and eighth
centuries were thus a new epoch, a century of learning, and of division
between the educated and the unlearned. The learned, mainly priests, no
longer cared much for making songs and stories about fighting, love,
and the adventures of their heathen heroes. They were occupied with
the history of Rome and of the old world; and still more with their
new religion, and the stories of apostles and saints and Hebrew kings
and patriarchs, and with the making of sermons and hymns. Thus the old
heathen tales and poems were lost or half forgotten.
Cædmon.
The first sacred poet of whom we hear is Cædmon. His tale is told by
the great and learned Bede, born at Wearmouth in Northumberland in
673, and trained in the new monastery there. Says Bede: "There was in
the monastery of St. Hilda at Whitby, a Brother who, when he heard the
Scriptures interpreted, could instantly turn the lesson into sweet
verses." Just so the minstrel of Hrothgar, when he heard the nobles
talk about Beowulf's defeat of Grendel, turned the story _at once_ into
a song. This was "improvisation," and Cædmon "improvised" religious
poems; no man has equalled them since, says Bede. But he began when he
was far from young, and was not yet a priest. Till then he had not been
a poet; indeed, if he were at a feast where every man sang in his turn,
when the harp was brought to people near him at table, he arose and
went home.
One night he ran away from the harp into the stalls of the cattle, and
there fell asleep on the straw. In a dream One appeared to him, and
bade him sing. He answered that he had left the feast because he could
not sing.
"You must sing."
"About what am I to sing?"
"The beginning of things created."
Cædmon then made in his sleep a poem about the Creation, and when he
awoke he remembered it, as Coleridge made "Kubla Khan" in a dream, and
remembered part of it until he was disturbed by a person on business
from Porlock. After this Cædmon made sacred poems, doing Scripture into
verse, with perfect ease, and he became a monk.
Public-domain text, read in full here on John Shaqi.
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