History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
Some seventy years later, just before it ends, the "Chronicle" has
a long and famous passage about the cruel oppressions in Stephen's
reign (1137). By that date the language has changed so much, that
the meaning can easily be made out, even by readers who do not know
Anglo-Saxon. The style of the "Chronicle" is always extremely simple,
and the good monks are usually more interested in events affecting
their own monasteries, than in matters which are of more importance to
the history of the country. Nevertheless, there are records of periods
in the "war-age" when the Danes were burning, plundering, and slaying
through England, and there are characters of great interest among the
kings, earls, and counsellors, lay or clerical, of whom we should know
little or nothing if the monks had ceased to make their entries in the
"Chronicle". To students of language, with its dialects and changes,
the "Chronicle" is priceless, and a few poems and ballads are contained
in its pages.
The most famous poem in the "Chronicle" is on the battle of Brunanburh
(937), when the English, under Æthelstan, defeated the Scots and Danes.
This song, translated by Tennyson, does not so much describe the
fighting as the triumph after the battle.
Five lay
On that battle-stead,
Young kings
By swords laid to sleep:
So seven eke
Of Olaf's earls,
Of the country countless
Shipmen and Scots.
Olaf fled in his ship over the barren sea, the aged Constantine, King
of the Scots, left his son dead on the field. As usual the raven, wolf,
and eagle have their share of the corpses: an Anglo-Saxon poet could
not omit these animals. This poet boasts that there has been no such
victory since first the Anglo-Saxons "the Welsh overcame". Perhaps the
enthusiasm of English students rather overrates the poetical merits of
this war-song.
There is more poetry, and more originality in "Byrhtnoth," a song of
a defeat at the hands of the Danes. The warrior entering the field of
battle
Let from his hands his lief hawk fly,
His hawk to the holt, and to battle he stepped.
He haughtily refuses to accept peace in exchange for tribute which the
Danes demand. The armies are divided from each other by a tidal river,
and Byrhtnoth chivalrously allows the heathen to cross, at low tide,
and meet him in fair field. There are descriptions of hand to hand
single combats; and of the wounds given and taken, and the boasts of
the slayers, who throw their spears, piercing iron mail, and shields
of linden wood; and strip the slain of their armour and jewels. The
friends of the fallen fight across the corpses. Byrhtnoth falls, some
of his company flee, the rest make a ring of spears about the hero, one
cries
The more the mood, as lessens our might,
that is,
The braver be we, as our strength fails.
Public-domain text, read in full here on John Shaqi.
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