History of English Literature from "Beowulf" to Swinburne — John Shaqi
History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
The whole poem might be translated, almost without a change, into "the
strong-winged music of Homer," or the verse of the old French "Song of
Roland". The song is not conventional, it is a noble war-poem. For some
reason the best war-poems are inspired by glorious defeats, at Maldon,
at Flodden, at Bosworth, at Roncesvaux, at Culloden.
The Monks and Learning.
The "Anglo-Saxon Chronicle," running from Alfred's day to King
Stephen's, and thus surviving the Norman Conquest, is the earliest
historical writing in English prose. As we have seen, it was the work
of the monks, _regular_ soldiers of learning, living together under
strict rules. On the other hand the secular clergy, parish priests and
others, were the irregular levies against ignorance. The monks were
fallen on evil times for learning and literature.
During the long cruel wars against the Danish raiders and settlers
(900-960) many monasteries were overthrown; others, like Abingdon,
became poor neglected places; into others the kings and nobles placed
their younger children, to live comfortably on the rents and revenues
of the Church, and neglect prayer and books. Under Eadwig the Fair,
St. Dunstan (born 925) appeared as a reformer, making the rule of the
Church respected, and being therefore at feud with Eadwig, as Thomas à
Becket was with Henry II. Under Edgar (957-975), peace was restored,
and Dunstan could carry out reforms as Archbishop of Canterbury. He
brought back from Flanders the new rule-of the Order of St. Benedict
(which the monk in Chaucer despises as not up to date) for the strict
living of monks, and was backed by Bishops Oswald and Æthelwald, men of
learning and reformers of education.
New monasteries, which often had schools attached to them, were built,
and old monasteries were restored. Dunstan was an artist (a picture of
him as a monk is still preserved, and is said to have been drawn by
himself). He was skilled in music and metalworking, and fond of the old
Anglo-Saxon poetry. He has left no books of his own writing, but there
are curious early Lives of him in Latin. As a boy he climbed in his
sleep to the roof of a church; he used to see visions of people at the
time of their deaths; a large stone is said to have flown at him of its
own accord; and, before his death, his bed, with him in it, was slowly
raised up in air, and softly let down again. According to these tales,
Dunstan must have been a "medium"; there is nothing saintly in such
prodigies. Like many people of genius who were not saints, he was of a
visionary nature, though a thoroughly practical and energetic man.
Public-domain text, read in full here on John Shaqi.
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