History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
harmonious forms and methods; that disdain of appearances, that yearning
for truth, that attachment to abstract, bare ideas which develop
conscience in him at the expense of everything else. Here the search
comes to an end. We have reached a certain primitive disposition, a
particular trait belonging to sensations of all kinds, to every
conception peculiar to an age or to a race, to characteristics
inseparable from every idea and feeling that stir in the human breast.
Such are the grand causes, for these are universal and permanent causes,
present in every case and at every moment, everywhere, and always
active, indestructible, and inevitably dominant in the end, since,
whatever accidents cross their path, being limited and partial, end in
yielding to the obscure and incessant repetition of their energy; so
that the general structure of things and all the main features of events
are their work, all religions and philosophies, all poetic and
industrial systems, all forms of society and of the family, all, in
fine, being imprints bearing the stamp of their seal.
IV. Chief causes of thought and feeling. Their historical effects
There is, then, a system in human ideas and sentiments, the prime motor
of which consists in general traits, certain characteristics of thought
and feeling common to men belonging to a particular race, epoch, or
country. Just as crystals in mineralogy, whatever their diversity,
proceed from a few simple physical forms, so do civilizations in
history, however these may differ, proceed from a few spiritual forms.
One is explained by a primitive geometrical element as the other is
explained by a primitive psychological element. In order to comprehend
the entire group of mineralogical species we must first study a regular
solid in the general, its facets and angles, and observe in this
abridged form the innumerable transformations of which it is
susceptible. In like manner, if we would comprehend the entire group of
historic varieties we must consider beforehand a human soul in the
general, with its two or three fundamental faculties, and, in this
abridgment, observe the principal forms it may present. This sort of
ideal tableau, the geometrical as well as psychological, is not very
complex, and we soon detect the limitations of organic conditions to
which civilizations, the same as crystals, are forcibly confined. What
do we find in man at the point of departure? Images or representations
of objects, namely, that which floats before him internally, lasts a
certain time, is effaced, and then returns after contemplating this or
that tree or animal, in short, some sensible object. This forms the
material basis of the rest and the development of this material basis is
twofold, speculative or positive, just as these representations end in a
general conception or in an active resolution. Such is man, summarily
abridged. It is here, within these narrow confines, that human
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