History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
diversities are encountered, now in the matter itself and again in the
primordial twofold development. However insignificant in the elements
they are of vast significance in the mass, while the slightest change in
the factors leads to gigantic changes in the results. According as the
representation is distinct, as if stamped by a coining-press, or
confused and blurred; according as it concentrates in itself a larger or
smaller number of the characters of an object; according as it is
violent and accompanied with impulsions or tranquil and surrounded with
calmness, so are all the operations and the whole running-gear of the
human machine entirely transformed. In like manner again, according as
the ulterior development of the representation varies, so does the whole
development of the man vary. If the general conception in which this
ends is merely a dry notation in Chinese fashion, language becomes a
kind of algebra, religion and poetry are reduced to a minimum,
philosophy is brought down to a sort of moral and practical common
sense, science to a collection of recipes, classifications, and
utilitarian mnemonics, the mind itself taking a wholly positive turn.
If, on the contrary, the general conception in which the representation
culminates is a poetic and figurative creation, a living symbol, as with
the Aryan races, language becomes a sort of shaded and tinted epic in
which each word stands as a personage, poesy and religion assume
magnificent and inexhaustible richness, and metaphysics develops with
breadth and subtlety without any consideration of positive bearings; the
whole intellect, notwithstanding the deviation and inevitable weaknesses
of the effort, is captivated by the beautiful and sublime, thus
conceiving an ideal type which, through its nobleness and harmony,
gathers to itself all the affections and enthusiasms of humanity. If, on
the other hand, the general conception in which the representation
culminates is poetic but abrupt, is reached not gradually but by sudden
intuition, if the original operation is not a regular development but a
violent explosion--then, as with the Semitic races, metaphysical power
is wanting; the religious conception becomes that of a royal God,
consuming and solitary; science cannot take shape, the intellect grows
rigid and too headstrong to reproduce the delicate ordering of nature;
poetry cannot give birth to aught but a series of vehement, grandiose
exclamations, while language no longer renders the concatenation of
reasoning and eloquence, man being reduced to lyric enthusiasm, to
ungovernable passion, and to narrow and fanatical action. It is in this
interval between the particular representation and the universal
conception that the germs of the greatest human differences are found.
Some races, like the classic, for example, pass from the former to the
latter by a graduated scale of ideas regularly classified and more and
more general; others, like the Germanic, traverse the interval in leaps,
Public-domain text, read in full here on John Shaqi.
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