History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
yellow sand, whose lances and canopies, ranged in line, fringe the
immaculate whiteness of the horizon; Indian paradises, where the heaped
roses swarm in myriads, where fountains mingle their plumes of pearls,
where the lotus spreads its large leaves, where thorny plants raise
their many thousand purple calices around the apes and crocodiles which
are worshipped as divinities, and crawl in the thickets. Meantime the
dancing-girls lay their hands on their heart with deep and delicate
emotion, the tenors sing that they are ready to die, tyrants roll forth
their deep bass voice, the orchestra struggles hard, accompanying the
variations of sentiment with the gentle sounds of flutes, the lugubrious
clamors of the trombones, the angelic melodies of the harps; till at
last, when the heroine sets her foot on the throat of the traitor, it
breaks out triumphantly with its thousand vibrant voices harmonized into
a single strain. A fine spectacle! we depart mazed, deafened; the senses
give way under this inundation of splendors; but as we return home, we
ask ourselves what we have learnt, felt--whether we have, in truth, felt
anything. After all, there is little here but decoration and scenery;
the sentiments are factitious; they are operatic sentiments: the authors
are only clever men, libretti-makers, manufacturers of painted canvas;
they have talent without genius; they draw their ideas not from the
heart, but from the head. Such is the impression left by "Lalla Rookh,
Thalaba, Roderick the last of the Goths, The Curse of Kehama," and the
rest of these poems. They are great decorative machines suited to the
fashion. The mark of genius is the discovery of some wide unexplored
region in human nature, and this mark fails them; they prove only much
cleverness and knowledge. After all, I prefer to see the East in
Orientals from the East, rather than in Orientals in England; in Vyasa
or Firdousi, rather than in Southey[114] and Moore. These poems may be
descriptive or historical; they are less so than the texts, notes,
emendations, and justifications which their authors carefully print at
the foot of the page.
Public-domain text, read in full here on John Shaqi.
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