These remarks will suffice in explanation of the criticism exhibited in this work. The book marks an epoch, a new era in the critical and philosophical investigation of religion. Spinoza’s ideas are as it were the head waters from which flows the current which is afterwards parted into separate streams. If viewed merely as a specimen of criticism, they are in many respects very defective. For this branch was new in Spinoza’s time. Learning had been directed since the Renaissance rather to the acquisition of stores of information concerning ancient literature than reflective examination of the authenticity and critical value of the sources. Yet Spinoza’s sagacity is so great, that the book is suggestive of information, and fertile in hints of instruction to readers who dissent most widely from his inferences.(354) In Spinoza’s own times the work met with unbounded indignation. Indeed hardly any age could have been less prepared for its reception. So rigorous a theory of verbal inspiration was then held, that the question of the date of the introduction of the Hebrew vowel points was discussed under the idea that inspiration would be overthrown, if the admission was made that they were introduced after the time of the closing of the canon.(355) The tone of fairness in Spinoza’s manner, which compels most modern readers to believe in his honesty, and which presents so striking a contrast to the profaneness of subsequent scepticism, was then regarded as latent irony. The work on its appearance was suppressed by public authority; but it was frequently reprinted; and probably no work of free thought has ever had more influence, both on friends and foes, except the memorable work of Strauss in the present age. Not only have freethinkers been moulded by it, but it has produced lasting effects on those who have loved the faith of Christ. For Spinoza’s work, if it did not create, gave expression to the tendency of which slight traces are perceptible elsewhere,(356) to recognize a large class of facts relating to the personal peculiarities of the inspired writers, and to the “human element,” as it has been frequently called(357) in scripture, for which orthodox criticism has always subsequently had to find a place in a theory of inspiration; facts which first shook the mechanical or verbal theory, which, however piously intended, really had the effect of degrading the sacred writers almost into automatons, and regarded them as the pens instead of the penmen of the inspiring Spirit.(358) Indirectly the effect of Spinoza’s thought was seen even in the English church. The difficulties which, through means of the English deists, it brought before the notice of the great apologetic writers of our own country, created the free, but perhaps not irreverent theory of revelation manifested in the churchmen of the last century,(359) which restricted the miraculous assistance of inspiration to the specific subject of the revealed