Availing himself of some of the fragments of mythology which such writers as Eusebius have preserved, and with a faint perception of the nature of mythology, he tries to resolve the narrative of the fall of man into solar mythology; and, pointing to contact with the Persians at the captivity as the source from which the Jews borrowed their ideas of a symbolic system, he regards the incarnation and life of Christ as the mistaken literalization on the part of contemporaries of their preconceived opinions. The conclusions to which Volney makes his interlocutor come(616) is, that nothing can be true, nothing be a ground of peace and union, which is not visible to the senses. Truth is conformity with sensations. The book is interesting as a work of art; but its analysis of Christianity is so shocking, that its absurdity alone prevents its becoming dangerous. It is the most unblushing attempt to resolve the noblest of effects into the most absurd of origins; and embodies in the consideration of religion the school of philosophy which he represented. We have now completed the history of unbelief in France during the eighteenth century. We have seen how literature gradually emancipated itself from the power of the court, and, under the influence of a sceptical stimulus received from the importation of English free thought, was changed into political and ecclesiastical antipathy, and acquired a mastery over the public mind, until it involved the state, the church, and Christianity, in a common ruin. History offers no parallel instance of the victory of unbelief, through the power of the pen, nor of the union of the political with the theological movement, and of the intimate connexion of both with the current philosophy of the time.