Our word to _edit_—or _edition_—suggests ideas not exactly suited to the proceedings of the Alexandrine library, in which we cannot expect to find anything like what is now called _publication_. That magnificent establishment, possessing a large collection of epical manuscripts, and ample means of every kind at command, would naturally desire to have these compositions put in order and corrected by skilful hands, and then carefully copied for the use of the library. Such copy constitutes the cyclic _edition_: they might perhaps cause or permit duplicates to be made, but the ἔκδοσις or edition was complete without them. Much obscurity[224] exists, and many different opinions have been expressed, respecting this Epic Cycle: I view it, not as an exclusive canon, but simply as an all-comprehensive classification, with a new edition founded thereupon. It would include all the epic poems in the library older than the Telegonia, and apt for continuous narrative; it would exclude only two classes,—first, the recent epic poets, such as Panyasis and Antimachus; next, the genealogical and desultory poems, such as the Catalogue of Women, the Eoiai, and others, which could not be made to fit in to any chronological sequence of events.[225] Both the Iliad and the Odyssey were comprised in the Cycle, so that the denomination of cyclic poet did not originally or designedly carry with it any association of contempt. But as the great and capital poems were chiefly spoken of by themselves, or by the title of their own separate authors, so the general name of _poets of the Cycle_ came gradually to be applied only to the worst, and thus to imply vulgarity or common-place; the more so, as many of the inferior compositions included in the collection seem to have been anonymous, and their authors in consequence describable only under some such common designation as that of the cyclic poets. It is in this manner that we are to explain the disparaging sentiment connected by Horace and others with the idea of a cyclic writer, though no such sentiment was implied in the original meaning of the Epic Cycle. [224] Respecting the great confusion in which the Epic Cycle is involved, see the striking declaration of Buttmann, Addenda ad Scholia in Odysseum, p. 575: compare the opinions of the different critics, as enumerated at the end of Welcker’s treatise, Episch. Kyk. pp. 420-453.