To pass to another country—Persia, once the great rival of
Greece: “The Kurroglian rhapsodes are called _Kurroglou-Khans_,
from _khaunden_, to sing. Their duty is, to know by heart all the
_mejjlisses_ (meetings) of Kurroglou, narrate them, or sing them
with the accompaniment of the favorite instrument of Kurroglou,
the chungur, or sitar, a three-stringed guitar. Ferdausi has
also his _Shah-nama-Khans_, and the prophet Mohammed his _Koran
Khans_. The memory of those singers is truly astonishing. At
every request, they recite in one breath for some hours, without
stammering, beginning the tale at the passage or verse pointed
out by the hearers.” (Specimens of the Popular Poetry of Persia,
as found in the Adventures and Improvisations of Kurroglou, the
Bandit Minstrel of Northern Persia, by Alexander Chodzko: London
1842, Introd. p. 13)
“One of the songs of the Calmuck national bards sometimes lasts a
whole day.” (_Ibid._ p. 372.)
[254] There are just remarks of Mr. Mitford on the possibility
that the Homeric poems might have been preserved without writing
(History of Greece, vol. i. pp. 135-137).
But what guarantee have we for the exact transmission of the text for
a space of two centuries by simply oral means? It may be replied,
that oral transmission would hand down the text as exactly as in
point of fact it was handed down. The great lines of each poem,—the
order of parts,—the vein of Homeric feeling, and the general style
of locution, and, for the most part, the true words,—would be
maintained: for the professional training of the rhapsode, over and
above the precision of his actual memory, would tend to Homerize his
mind (if the expression may be permitted), and to restrain him within
this magic circle. On the other hand, in respect to the details of
the text, we should expect that there would be wide differences and
numerous inaccuracies: and so there really were, as the records
contained in the Scholia, together with the passages cited in ancient
authors, but not found in our Homeric text, abundantly testify.[255]
[255] Villoison, Prolegomen. pp. xxxiv-lvi; Wolf, Prolegomen.
p. 37. Düntzer, in the Epicor. Græc. Fragm. pp. 27-29, gives
a considerable list of the Homeric passages cited by ancient
authors, but not found either in the Iliad or Odyssey. It is
hardly to be doubted, however, that many of these passages
belonged to other epic poems which passed under the name of
Homer. Welcker (Der Episch. Kyklus, pp. 20-133) enforces this
opinion very justly, and it harmonizes with his view of the name
of Homer as coextensive with the whole Epic cycle.
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