Alexander then continued his onward progress, first to Marakanda
(Samarcand), the chief town of Sogdiana—next, to the river Jaxartes,
which he and his companions, in their imperfect geographical
notions, believed to be the Tanais, the boundary between Asia, and
Europe.[487] In his march, he left garrisons in various towns,[488]
but experienced no resistance, though detached bodies of the natives
hovered on his flanks. Some of these bodies, having cut off a few of
his foragers, took refuge afterwards on a steep and rugged mountain,
conceived to be unassailable. Thither however Alexander pursued them,
at the head of his lightest and most active troops. Though at first
repulsed, he succeeded in scaling and capturing the place. Of its
defenders, thirty thousand in number, three fourths were either put
to the sword, or perished in jumping down the precipices. Several
of his soldiers were wounded with arrows, and he himself received a
shot from one of them through his leg.[489] But here, as elsewhere,
we perceive that nearly all the Orientals whom Alexander subdued were
men little suited for close combat hand to hand,—fighting only with
missiles.
[487] Pliny, H. N. vi. 16. In the Meteorologica of Aristotle (i.
13, 15-18) we read that the rivers Bahtrus, Choaspes, and Araxes
flowed from the lofty mountain Parnasus (Paropamisus?) in Asia;
and that the Araxes bifurcated, one branch forming the Tanais,
which fell into the Palus Mæotis. For this fact he refers to
the γῆς περιόδοι current in his time. It seems plain that by
the Araxes Aristotle must mean the Jaxartes. We see, therefore,
that Alexander and his companions, in identifying the Jaxartes
with the Tanais, only followed the geographical descriptions and
ideas current in their time. Humboldt remarks several cases in
which the Greek geographers were fond of supposing bifurcation of
rivers (Asie Centrale, vol. ii. p. 291).
[488] Arrian, iv. 1, 5.
[489] Arrian, iii. 30, 17.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account