History of Indian and Eastern ArchitectureFergusson, James
History
History of Indian and Eastern Architecture
Fergusson, James
Architecture -- India; Architecture, Asian
One of the great difficulties that meets every one attempting to write
on Indian subjects at the present day is to know how to spell Indian
proper names. The Gilchristian mode of using double vowels, which was
fashionable fifty years ago, has now been entirely done away with, as
contrary to the spirit of Indian orthography, though it certainly is the
mode which enables the ordinary Englishman to pronounce Indian names
with the greatest readiness and certainty. On the other hand, an attempt
is now being made to form out of the ordinary English alphabet a more
extended one, by accents over the vowels, and dots under the consonants,
and other devices, so that every letter of the Devanagari or Arabic
alphabets shall have an exact equivalent in this one.
In attempting to print Sanscrit or Persian books in Roman characters,
such a system is indispensable, but if used for printing Indian names in
English books, intended principally for the use of Englishmen, it seems
to me to add not only immensely to the repulsiveness of the subject, but
to lead to the most ludicrous mistakes. According to this alphabet for
instance, ḍ with dot under it represents a consonant we pronounce as r;
but as not one educated Englishman in 10,000 is aware of this fact, he
reads such words as Kattiwaḍ, Chîtoḍ, and Himaḍpanti as if spelt
literally with a d, though they are pronounced Kattiwar, Chittore, and
Himarpanti, and are so written in all books hitherto published, and the
two first are so spelt in all maps hitherto engraved. A hundred years
hence, when Sanscrit and Indian alphabets are taught in all schools in
England, it may be otherwise, but in the present state of knowledge on
the subject some simpler plan seems more expedient.
In the following pages I have consequently used the Jonesian system, as
nearly as may be, as it was used by Prinsep, or the late Professor
Wilson, but avoiding as far as possible all accents, except over vowels
where they were necessary for the pronunciation. Over such words as
Nâga, Râjâ, or Hindû--as in Tree and Serpent worship--I have omitted
accents altogether as wholly unnecessary for the pronunciation. An
accent, however, seems indispensable over the â in Lât, to prevent it
being read as Lath in English, as I have heard done, or over the î in
such words as Hullabîd, to prevent its being read as short bid in
English.
Public-domain text, read in full here on John Shaqi.
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