The best account of Spanish manners of the seventeenth century will be
found in the already-mentioned _Letters of a Lady's Travels in Spain_.
"Under the vertingale of black taffety," she writes, "they wear a dozen or
more petticoats, one finer than the other, of rich stuffs trimmed with lace
of gold and silver, to the girdle. They wear at all times a white garment
called _sabenqua_; it is made of the finest English lace, and four ells in
compass. I have seen some worth five or six hundred crowns;... so great is
their vanity, they would rather have one of these lace _sabenquas_ than a
dozen coarse ones;[279] and either lie in bed till it is washed, or dress
themselves without any, which they frequently enough do." A number of
portraits exist in the Spanish galleries, {98}especially by Velasquez and
Carrêno, in which these extravagant costumes are fully portrayed, but in
very few Spanish portraits of the seventeenth century does thread lace of
the kind known to us as point d'Espagne, or de Venise ever appear.
Describing her visit to the Princess of Monteleon, the author continues:
"Her bed is of gold and green damask, lined with silver brocade, and
trimmed with point de Spain.[280] Her sheets were laced round with an
English lace, half an ell deep. The young Princess bade her maids bring in
her wedding clothes. They brought in thirty silver baskets, so heavy, four
women could carry only one basket; the linen and lace were not inferior to
the rest." The writer continues to enumerate the garters, mantle, and even
the curtains of the Princess's carriage, as trimmed with fine English
thread, black and bone lace.[281]
Public-domain text, read in full here on John Shaqi.
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