History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
To the doctrines now advocated it furnishes no objection, that mankind
do not agree in the same estimate of beauty, nor even that objects
entirely different in their qualities, are assumed as beautiful. This
fact, indeed, has often and triumphantly been adduced as conclusive
in favour of the sceptical position regarding a standard of taste.
Those writers, again, who support the opposite opinion, seem too
readily to have admitted difficulty in repelling the objection. The
truth is, it can be obviated only on the principle which we have
endeavoured to establish; namely, that taste is the certain result
of intellectual cultivation in the proper province, that it is
consequently commensurate with the degree of intelligence, and always
an object of truth and reason. Now, the diversity so much insisted
upon, is capable not only of being thus easily accounted for, but is to
be expected as the necessary effect of varied extent of knowledge. The
very objection predetermines, that among the rudest people, ideas and
perceptions of something termed beauty are entertained. Does not this
establish the existence of taste coeval with the earliest traces of
information? True, the beauty admired by the African or the Esquimaux
differs from that which awakens the sensibility of the European,--but
so also are their means and capabilities of judging unequal. It is not,
therefore, diversity, but inconsistency of judgment, that in this case
can prove the absence of all fixed principles of decision. Now, we will
venture to affirm, without fear of contradiction, that there is no
inconsistency nor opposition; and that the most polished inhabitant of
Europe, proceeding upon the same premises as the wildest in-dweller of
the desert or savannah, will arrive at exactly the same conclusion. The
sable virgin, for instance, whose charms are acknowledged by the rude
warriors of her tribe, will also, by the refined European, be admitted
among the fairest examples of native beauty. Hence it is evident that
all men acknowledge a standard of taste, founded on similar reasonings
and accordant feelings of the human heart, though the final expression
of this standard, or the degree of refinement whence it is deduced,
will necessarily be modified by moral and physical circumstances, and
by the light enjoyed.
Public-domain text, read in full here on John Shaqi.
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