History of Sculpture, Painting, and ArchitectureMemes, J. S. (John Smythe)
Philosophy
History of Sculpture, Painting, and Architecture
Memes, J. S. (John Smythe)
Art -- History
But again, as in every species of experimental science,
those researches, in their practice the most carefully conducted, and
in their inferences the most consistent, are regarded as the canons
of scientific truth; so in the liberal arts, those noble monuments
which, during the longest period, and to the greatest number of
competent judges, have yielded the most satisfaction, are justly
esteemed standards of taste--rules by which other works are to be
tried. Such standards, or final experiments, in the science of taste,
are fortunately possessed in the literary compositions, and in the
remains of the sculpture and architecture of antiquity; as also in the
labours of those moderns who have emulated the teachers of the olden
time. These accredited relics of genius obtain a deserved and venerable
mastery over future aspirings, first, from their own inborn excellence;
secondly, from the effects of that excellence in a continually
increasing influence over association and feeling. Imagination
thus combines with reason in hallowing both the original cause and
the attendant influence into precepts of an immutable authority,
consecrated by the suffrages of the wise and the refined of every later
age. Reason, however, first established, and subsequently demonstrates,
the principles upon which this standard has become unchanged and
unchangable; namely, perfect simplicity in the means, and perfect truth
in the results, through all their varied combinations.
Consideration even of the vicissitudes and revolutions in taste
seems farther to confirm these general views. Opinion, indeed, has
vacillated in the estimation of elegance; but, as in the constantly
returning eccentricities of a planetary body, some secret power
has maintained certain limits to these changes, and round certain
principles, though at times obscured, art has continued to revolve. Now
these checks to barbarous novelty and innovation, have been derived
from the not-altogether-forgotten remembrance of admitted standards,
or from the natural effects upon which these have been founded. The
temporary derelictions of good taste have ever occurred in the most
ignorant ages, and in extent as in duration have corresponded with the
intellectual darkness of the period; the returning light of knowledge
has in this respect also invariably dispelled error, afresh disclosing
the pristine beauty of the ancient models, and recalling the judgment
to the rectitude of those precepts on which they are composed. Even the
tyranny of fashion and the inveteracy of prejudice yield before the
majesty of antique excellence, or produce a passing absurdity adopted
for a day, to be forever forgotten. Surely, then, there must be in
these abiding modes in literature and art, as likewise in that science
of taste which appreciates and determines their canons, a beauty--an
excellence, the offspring and the object of truth and reason--and like
these, ever consistent, immutable, imperishable.
Public-domain text, read in full here on John Shaqi.
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