History of Spanish and Portuguese Literature (Vol 2 of 2)Bouterwek, Friedrich
History
History of Spanish and Portuguese Literature (Vol 2 of 2)
Bouterwek, Friedrich
Portuguese literature -- History and criticism; Spanish literature -- History and criticism
Suspendese confuso o Castelhano
De ver de Portugal o brio ouzado,
E guarnecendo a praça, troca ufana
O trofeo em cuidado;
Retirarse procura,
Porem o Luzo altivo
A batalha o provoca vingativo;
A hum monte se encomenda cautelozo;
Azas o Luzo veste bellicozo,
Hum comete feroz, outro reziste,
Este se anima, aquelle cahe por terra,
Tudo he mal, tudo he pena, tudo he guerra,
Que neste duro empenho de Mavorte
Reina a ira, arde o fogo, impéra a morte.
[324] Besides the _Fenix renascida_, which contains an account of most
of the Portuguese sonneteers of the seventeenth century, there is a
later, but upon the whole a much worse collection of the same sort,
which comprises only two volumes, though it extends beyond the close of
the eighteenth century. It is entitled:--_Eccos que o clarim da Fama
dà; Postilhaõ de Apollo, &c._ (Echos which resound from the trumpet
of Fame, or the Postillion of Apollo.) The title is still longer, and
the remainder is in still worse taste. The collection was published at
Lisbon in the year 1761.
[325] _Retiro de cuidados, e vida de Carlos e Rosaura, composto pelo
Padre Matheus Ribeyro, &c._ Lisb. 1688. 4 parts in 2 vol. oct.
[326] _Seram politico, abuso emendado, &c. por Felix da Castanheira
Turacem._ Lisb. 1704, in 4to. Some of the certificates of the Censors,
which are printed with this work, are dated in 1695. In old Portuguese
the word _Politico_, signifies all that belongs to polite manners.
Hence Rodriguez Lobo’s works are entitled, _Obras politicas_, see page
227. _Seram_ or _seraõ_ properly signifies the place where an evening
party, for some period, regularly assembles.--Felix de Castanheira’s
name does not occur in Machado’s dictionary of learned men.
[327] Escrevo entre o rasteiro, et o empolado, que saõ o Scilla, et
Charibdes no vasto mar da locuçaõ: algumas vezes me detenho a fazer
aquada no esprayado da digressão; mas faço quanto posso por naõ perder
de vista o difficil porto da clareza; com alguma me vou explicando,
_sed libera nos à metaphora_.
[328] The following passage, which will serve as an example, is the
description of the fair Isabella, an intelligent young lady, who
sustains a principal character in these evening parties.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account