History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
Castilla was a gentleman apparently of the old national type,
descended from an illegitimate branch of the family of Pedro
el Cruel. He lived in the time of Charles V., and passed his
youth near the person of that great sovereign; but, as he says
in a letter to his brother, the Bishop of Calahorra, he at last
“withdrew himself, disgusted alike with the abhorred rabble and
senseless life of the court,” and “chose the estate of matrimony,
as one more safe for his soul and better suited to his worldly
condition.” How he fared in this experiment he does not tell
us; but, missing, in the retirement it brought with it, those
pleasures of social intercourse to which he had been accustomed,
he bought, as he says, “with a small sum of money, other surer
and wiser friends,” whose counsels and teachings he put into
verse, that his weak memory might the better preserve them. The
result of this life merely contemplative was a book, in which he
gives us, first, his “Theórica de Virtudes,” or an explanation,
in the old short Spanish verse, accompanied with a prose gloss,
of the different Virtues, ending with the vengeful Nemesis; next,
a Treatise on Friendship, in long nine-line stanzas; and then,
successively, a Satire on Human Life and its vain comforts; an
Allegory on Worldly Happiness; a series of Exhortations to Virtue
and Holiness, which he has unsuitably called Proverbs; and a
short discussion, in _décimas_, on the Immaculate Conception.
At the end, separately paged, as if it were quite a distinct
treatise, we have a counterpart to the “Theórica de Virtudes,”
called the “Prática de las Virtudes de los Buenos Reyes de
España”; a poem in above two hundred octave stanzas, on the
Virtues of the Kings of Spain, beginning with Alaric the Goth
and ending with the Emperor Charles V., to whom he dedicates it
with abundance of courtly flattery. The whole volume, both in the
prose and verse, is written in the strong old Castilian style,
sometimes encumbered with learning, but oftener rich, pithy, and
flowing. The following stanza, written, apparently, when its
author was already disgusted with his court life, but had not
given it up, may serve as a specimen of his best manner:--
Nunca tanto el marinero
Desseo llegar al puerto
Con fortuna;
Ni en batalla el buen guerrero
Ser de su victoria cierto
Quando puña;
Ni madre al ausente hijo
Por mar con tanta aficion
Le desseo,
Como haver un escondrijo
Sin contienda en un rincon
Desseo yo.
f. 45. b.
Public-domain text, read in full here on John Shaqi.
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