History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
It is singular, however, that, like the romances of chivalry, pastoral
romance was first introduced into Spain by a Portuguese,--by George of
Montemayor, a native of the town of that name, near Coimbra. When he
was born we are not told; probably it was before 1520. In his youth he
was a soldier; but later, from his skill in music, he became attached
to the travelling chapel of the prince of Spain, afterwards Philip the
Second, and thus enjoyed an opportunity of visiting foreign countries,
especially Italy and Flanders. But his mind was little cultivated by
study. He knew no Latin, which even those of the humblest literary
attainments were wont to acquire, in the age when he lived; so that
his success is due to his own genius and to the promptings of that
passion which gave its color to his life. Probably he left Spain
from disappointment in love; probably, too, he perished in a duel at
Turin, in 1561. But we know nothing more of him with any tolerable
certainty.[60]
[60] Barbosa, Bib. Lusitana, Tom. II. p. 809, and the Prólogo to
the Diana of Perez, ed. 1614, p. 362.
His “Diana Enamorada,” the chief of his works, was first printed
at Valencia, in 1542.[61] It is written in good Castilian, like his
poetry, which is published separately, though, like that, with some
intermixture of his native Portuguese;[62] and it contains, as he tells
us, stories of adventures which really occurred.[63] We know, too,
that, under the name of Sereno, he was himself its hero; and Lope de
Vega adds, that Diana, its heroine, was a lady of Valencia de Don Juan,
a town near the city of Leon.[64] Montemayor’s purpose, therefore, like
that of Sannazaro, is to give, in the forms of a pastoral romance, an
account of some events in his own life and in the lives of a few of
his friends. To effect this, he brings together on the banks of the
Ezla, at the foot of the mountains of Leon, a number of shepherds and
shepherdesses, who relate their respective stories through seven books
of prose, intermingled with verse. But the two principal personages,
Sereno and Diana, who are introduced at first as lovers, are separated
by magic; and the romance is brought to an abrupt conclusion, little
conformable to all the previous intimations, by the marriage of Diana
to Delio, the unworthy rival of Sereno.
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