History of the Jews, Vol. 4 (of 6)Graetz, Heinrich
History
History of the Jews, Vol. 4 (of 6)
Graetz, Heinrich
Jews -- History
They were to meet the objection, how the Kabbala, so long unknown, and
kept secret by the prudent Kabbalists--for they had hesitated to
impart any of it in writing--how this mysterious wisdom could all at
once come to light, and be revealed to every one's knowledge. The Zohar
frequently uses the following excuse: As the time in which Simon bar
Yochaï lived was especially meritorious and rich in grace, and as the
Messianic period was near, the veil which had concealed the book so
long could now be drawn aside.
There are certainly very few compositions which have exercised so much
influence as the Zohar, or which can be compared with it in regard to
the remarkable nature of its contents and form. It is a book without
beginning or end, of which it is unknown whether it once formed part
of a whole, whether the extant portions originally belonged to it,
or were added later, or whether at an earlier period more of it was
in existence. It consists of three principal parts, with appendices
and explanatory comments. The absence of form in this farrago made
it possible for certain portions to be imitated. It is so easy and
tempting to imitate its wild though sonorous style. Thus the forgery
was counter-forged. It is not positively certain whether the Zohar
is to be regarded as a running commentary to the Pentateuch, as a
theosophic manual, or as a collection of Kabbalistic sermons. And its
contents are just as curious, confused and chaotic as its form and
external dress. The Zohar with its appendages in no wise develops
a Kabbalistic system like Azriel's, neither does it unfold an idea
like Abraham Abulafia, but plays with the Kabbalistic forms as with
counters--with the En-Sof, with the number of the Sefiroth, with
points and strokes, with vowels, accents, with the names of God and
the transposition of their letters, as well as with the Biblical
verses and Agadic sayings--casts them about in eternal repetition,
and in this manner produces sheer absurdities. Occasionally it gives a
faint suggestion of an idea, but in a trice it evaporates in feverish
fancies, or dissolves in childish silliness.
Public-domain text, read in full here on John Shaqi.
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