(7) For strange representations of the Creator and of the creation by one, two, or three persons of the Trinity, see Didron, Iconographie Chretienne, pp. 35, 178, 224, 483, 567-580, and elsewhere; also Detzel as already cited. The most naive of all survivals of the mediaeval idea of creation which the present writer has ever seen was exhibited in 1894 on the banner of one of the guilds at the celebration of the four-hundredth anniversary of the founding of the Munich Cathedral. Jesus of Nazareth, as a beautiful boy and with a nimbus encircling his head, was shown turning and shaping the globe on a lathe, which he keeps in motion with his foot. The emblems of the Passion are about him, God the Father looking approvingly upon him from a cloud, and the dove hovering between the two. The date upon the banner was 1727. But to these discussions was added yet another, which, beginning in the early days of the Church, was handed down the ages until it had died out among the theologians of our own time. In the first of the biblical accounts light is created and the distinction between day and night thereby made on the first day, while the sun and moon are not created until the fourth day. Masses of profound theological and pseudo-scientific reasoning have been developed to account for this--masses so great that for ages they have obscured the simple fact that the original text is a precious revelation to us of one of the most ancient of recorded beliefs--the belief that light and darkness are entities independent of the heavenly bodies, and that the sun, moon, and stars exist not merely to increase light but to "divide the day from the night, to be for signs and for seasons, and for days and for years," and "to rule the day and the night."