Hobson's Choice: A Lancashire Comedy in Four ActsBrighouse, Harold
General
Hobson's Choice: A Lancashire Comedy in Four Acts
Brighouse, Harold
English drama -- 20th century; Fathers and daughters -- Drama; Sisters -- Drama
[Illustration] Reddish brick walls. Plaster falling off in places. Very
old square carpet. Fire burning. No ornaments. Tin box on mantelpiece. A
few plates, workbasket and tin boxes on dresser. Shoes, clogs on top
of dresser. Old coloured tablecloth on table. Roll of leather, etc.,
at table behind screen. Three hat pegs on wall above fireplace. Lamp on
mantelpiece.
ACT III
_The cellar in Oldfield Road is at once workroom, shop, and living-room.
It is entered from the_ R. _corner by a door at the top of a flight of
some seven stairs. Its three windows are high up at the back--not
shop windows, but simply to give light. Each window has on it "William
Mossop, Practical Bootmaker," reversed as seen from the inside and is
illuminated dimly from outside by a neighbouring street lamp.
A door_ L. _leads to the bedroom. Up stage_ L. _is a small screen or
partition whose purpose is to conceal the sink. A shoemaker's bench,
leather and tackle are against the wall_, R., _above the fire-place.
Below the door_, L., _is a small dresser. Table_ R. C. _Seating
accommodation consists solely of the sofa and the two chairs taken from_
HOBSON'S, _now repaired. The sofa is_ L. _of the table, the two chairs_
R. _Crowded on the sofa are, in order, from down up,_ ALBERT, ALICE,
VICKEY, FRED.
_As the curtain rises, the four are standing, tea-cups in hand, saying
together "The Bride and Bridegroom." They drink and sit. General
laughter and conversation. On the chair down stage is_ MAGGIE. _From the
other chair_, C., _behind table_, WILL _rises, nervously, and rushes
his little speech like a child who has learnt a lesson. The table has
hot-house flowers (in a basin) and the remains of a meal at which tea
only has been drunk, and the feast is represented by the sections of
a large pork pie and a small wedding cake. As_ WILL _rises_, ALBERT
_hammers on the table_.
ALICE _suppresses him_. WILLIE. It's a very great pleasure to us to see
you here to-night. It's an honour you do us, and I assure you, speaking
for my--my wife, as well as for myself, that the--the--
MAGGIE (_in an undertone_). Generous.
WILLIE. Oh, aye. That's it. That the generous warmth of the sentiments
so cordially expressed by Mr. Beenstock and so enthusiastically seconded
by--no, I've gotten that wrong road round--expressed by Mr. Prosser and
seconded by Mr. Beenstock--will never be forgotten by either my life
partner or self--and--and I'd like to drink this toast to you in my own
house. Our guests, and may they all be married soon themselves.
MAGGIE (_rising and drinking with_ WILL). Our guests.
(WILL _and_ MAGGIE _sit. General laughter and conversation_.)
ALBERT (_solemnly rising_). In rising to respond--
ALICE (_tugging his coat and putting him into his seat_). Sit down.
We've had enough of speeches. I know men fancy themselves when they're
talking, but you've had one turn and you needn't start again.
ALBERT. But we ought to thank him, Alice.
Public-domain text, read in full here on John Shaqi.
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