CONTAINING MANY CIRCUMSTANCES RELATIVE TO HIS LIFE, AND OPINIONS OF THE ARTS, ARTISTS, ETC. OF THE TIMES IN WHICH HE LIVED; AND SUNDRY MEMORANDA RELATIVE TO HIS PRINTS. _Compiled from his Original Manuscripts, in the possession of_ JOHN IRELAND. CHAPTER I. HOGARTH'S OWN ACCOUNT OF HIS BIRTH AND EARLY EDUCATION. REASONS FOR HIS BEING APPRENTICED TO A SILVER-PLATE ENGRAVER; WITH WHICH EMPLOYMENT BECOMING DISGUSTED, HE COMMENCES AN ENGRAVER ON COPPER. METHOD OF STUDY. THE FATE OF THE FIRST PRINT HE PUBLISHED, ETC. "As many sets of my works have been lately sent to foreign countries, and others sold to persons who, from their ignorance of the particular circumstances at which I aimed, have mistaken their meaning and tendency, I have been told that a short account of such parts as are obscure, or have been most liable to misconstruction, in those prints that are not noticed in Mr. Rouquet's book,[4] would be highly acceptable. "I am further told, that the public have sometimes expressed a curiosity to know what were the motives by which the author was induced to make choice of subjects so different from those of other painters, and what were his modes of study in a walk which had not been trode by any other man. These reasons will, I hope, be deemed a sufficient apology for my attempting the following brief history; in which must necessarily be introduced my opinion of the present state of the arts, and conduct of contemporary artists, and a vindication of myself and my productions from the aspersions which they have so liberally bestowed upon each. "With respect to my life,--to begin sufficiently early,--I was born in the city of London, on the 10th day of November 1697, and baptized the 28th of the same month. My father's pen, like that of many other authors, did not enable him to do more than put me in a way of shifting for myself. As I had naturally a good eye and a fondness for drawing, shows of all sorts gave me uncommon pleasure when an infant; and mimicry, common to all children, was remarkable in me. An early access to a neighbouring painter drew my attention from play, and I was at every possible opportunity employed in making drawings. I picked up an acquaintance of the same turn, and soon learnt to draw the alphabet with great correctness. My exercises when at school were more remarkable for the ornaments which adorned them, than for the exercise itself.[5] In the former I soon found that blockheads with better memories could much surpass me, but for the latter I was particularly distinguished.