Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
Erected in the cleft of a rock, we have here a building intended
for a reservoir of water; and by the bust of his present Majesty
being placed in a niche of an arch, which is lined with a shell and
surmounted by a crown, we must suppose it a royal reservoir. The
mouth of a mask of the British lion is made the water-spout for
conveying a stream into a garden-pot, which a figure of Britannia
holds in her right hand, and, with her spear in the left, is employed
in sprinkling three young trees, the trunks of which are entwined
together, and inscribed, "Painting, Sculpture, Architecture." These
promising saplings are planted upon a gentle declivity. Painting is
on the highest ground, and Sculpture on the lowest. It is worthy
of remark that the fructifying stream which issues from the
watering-pot falls short of the surface on which is planted the
tree inscribed Painting, and goes beyond the root of that termed
Sculpture; so that Architecture, which is much the loftiest and
most healthy tree, will have the principal benefit of the water.
If the tree of Painting is attentively inspected, it will be found
stunted in its growth, withered at the top, and blest with only one
flourishing branch, which, if viewed with an eye to what the artist
has previously written, seems intended for portrait-painting. The
tree which is the symbol for Sculpture appears to bend and withdraw
itself from the reservoir;[47] one branch from the centre of the
trunk is probably funereal, and intended to intimate sepulchral
monuments. The top, being out of sight, is left to the imagination.
Those who wish to inquire how far this allegorical and sylvan symbol
has proved prophetic of the unequal encouragement now given to the
different branches of the arts, may go to Somerset House, contemplate
the building, pay their shilling, and walk through the rooms of the
Royal Academy during the time of their annual exhibition!
TAIL-PIECE
TO THE ARTISTS' CATALOGUE.
"Esse quid hoc dicam? vivis quod fama negatur!"[48]--MART.
[Illustration: TAILPIECE TO ARTISTS' CATALOGUE]
Public-domain text, read in full here on John Shaqi.
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