Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
As a contrast to Britannia nurturing the trees that are introduced
in the last print, a travelling monkey in full dress is in this
industriously watering three withered and sapless stems of what
might once have been flowering shrubs, and are inscribed "Exotics."
These wretched remnants of things which were, are carefully placed
in labelled flower-pots: on the first is written, "_Obiit_ 1502;" on
the second, "_Obiit_ 1600;" and on the third, "_Obiit_ 1606." Still
adhering to the hieroglyphics in his frontispiece, Hogarth introduces
these three dwarfish importations of decayed nature to indicate the
state of those old and damaged pictures which are venerated merely
for their antiquity, and exalted above all modern productions, from
the name of a great master, rather than any intrinsic merit. To
heighten the ridicule, he has given his monkey a magnifying glass
that will draw forth hidden beauties, which to common optics are
invisible.
So great was the demand for the catalogues with the illustrative
prints of Hogarth, that the two first done were soon worn down, and
Mr. Grignion was employed to engrave others from the same drawings.
Beneath those that were first made there are no mottoes; and the word
_obiit_ is written _obit_. This was perhaps a mistake of either the
painter or writing engraver, though I think it barely possible that
the former might mean to pun on the connoisseurs being bubbled by
dealers in old pictures--O! BIT.
The opinion Hogarth has, in the preceding pages, given of the
taste and judgment of the public in his own day may at first sight
seem rather harsh, but was in a degree justified by the scandalous
inattention with which the town received his six inimitable pictures
of "Marriage à la Mode;" they were, on the 6th of June 1750, sold
by a kind of auction to Mr. Lane of Hillingdon for one hundred and
twenty guineas! Being in Carlo Maratt frames that cost the artist
four guineas each, his real remuneration for painting this admirable
series was but a few shillings more than one hundred pounds.[49] Such
are the rewards of genius. Low as this sum was, a Mr. Perry, being
eleven months afterwards erroneously informed that still less had
been the highest sum offered, and that they were not sold, wrote the
following letter with an increased bidding. This gentleman's name is
inserted in Hogarth's subscription book as a subscriber for four sets
of "The Elections," with this remarkable memorandum:--"_4th April
1754._--The whole eight guineas paid at the time of subscribing."
Out of near six hundred names, I find only two (viz. Henry Raper,
Esq., and Mr. Perry) who paid more than half the money in the first
subscription.
_To Mr. Hogarth._
Public-domain text, read in full here on John Shaqi.
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