Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
As sculptors and painters have thought fit to denominate a child's
head, with duck wings, "Cherubin;"[89] Hogarth, to one of these
infantine fancies, has whimsically enough added a pair of duck's
feet. The well-fed figure in the desk may perhaps be meant as an
overcharged portrait of Whitfield. The fainting female in the corner
of the print was intended for Mrs. Douglas of the Piazza, who, after
a most licentious life, became a rigid devotee, and was Sam. Foote's
original for Mother Cole. The Jew, with an insect between his nails,
has a fine air of head. On the book open before him is a print of
"Abraham offering up Isaac."[90]
The figures in the background it is not necessary to enumerate:
they are sighing, weeping, groaning! The four most obtrusive convey
a severe satire on transubstantiation. A Turk looking through the
window, is evidently laughing at their absurdities, and thanking
Mahomet that he has been early initiated in the Koran. A dog, with
"Whitfield" on his collar, seated upon a hassock, and howling in
concert with the preacher, is admirably designed.
The figure of a pigeon impressed on the Methodist's brain, is
intended to intimate that if the Holy Spirit gets into the head
instead of the heart, it will create that confusion of intellect
described in the mental thermometer which rises out of it, and which
is crowned by a dove on the point of a triangle.
Thus did this great artist express his "First Thought," but
afterwards erased, or essentially altered every figure except
two, and _on the same piece of copper_: we find his variations so
multifarious as to render it nearly a new print, which he entitled
CREDULITY, SUPERSTITION, AND FANATICISM.
A MEDLEY.
The preacher and the devil, except in a few shadows added to a
handkerchief, are left as in the first state, and these are the
only figures that are so left; from them and the background it is
positively ascertained that the first and second engravings are on
the same copperplate. Raphael's strange symbol of the Deity the
artist has struck out, and in the place of it inserted a witch upon a
broomstick; instead of the puppets representing Adam and Eve, Peter
and Paul, Moses and Aaron, we have Mrs. Veale's ghost, Julius Cæsar's
apparition, and the shade of Sir George Villiers.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account