The nobleman, and lady dropping her deified image in the pew beneath the pulpit, are discarded, and a pair of vulgar and uninteresting characters put in their room. The handcuffed felon is obliterated, and his place supplied by two figures, one weeping, the other asleep. The ragged woman hugging a model is altered to the boy of Bilson; and on the hassock, where was the howling dog, is a shoeblack's basket, with Whitfield's _Journal_ placed upon King James's _Demonology_. The characters of cherubin and seraph are changed; and though the duck's wings are left, the legs are lopped off. In the place of the corpulent and consequential clerk, the artist has inserted a meagre and moon-eyed monster, with wings that either grow out of his shoulders, or appertain to a foul fiend planted behind him and acting as his prompter. Mother Douglas is beaten out of the copper, and in her room Hogarth has introduced Mrs. Tofts and her rabbits, one of the popular impositions of his own day. The smelling-bottle applied to recover Mrs. Douglas from fainting, is with Mrs. Tofts very properly changed to a dram glass. The Jew is altered, and altered for the worse: the print of "Abraham and Isaac," in a book before him, is obliterated, and a knife inscribed "bloody," and laid upon an altar, supplies its place. In the characters of the common people of the congregation there are several variations; the models which some of them held in their arms are totally changed. The pigeon in the Methodist's brain is discarded; in the place of the inscription in the top division of the thermometer he has inserted the Cock Lane ghost; and instead of the glory, which in the "First Thought" crowned the whole, we have the Tedworth Drummer, a tale which, had it not given the subject for Addison's comedy, would have been long since forgotten. On the scale of vociferation and the chandelier, the names of W--d and Romaine are only to be found in the present state of the plate; in the scale of the thermometer there are numerous alterations. In "The Medley," the artist has made an addition, and placed Wesley's _Sermons_ and Glanville's book _On Witches_ as supporters to the Methodist's brain. To do this, and introduce the rabbits on the foreground, he has brought his work so near the bottom of his plate as not to leave room for a title, which, with the quotation from St. John, "Believe not every spirit," etc., is, in the present state of the plate, engraven on another piece of copper.