Holland: The History of the NetherlandsGrattan, Thomas Colley
History
Holland: The History of the Netherlands
Grattan, Thomas Colley
Netherlands -- History
On the 10th of July, as he left his dining-room, and while he
placed his foot on the first step of the great stair leading to
the upper apartments of his house, a man named Balthazar Gerard
(who, like the former assassin, waited for him at the moment of
convivial relaxation), discharged a pistol at his body. Three
balls entered it. He fell into the arms of an attendant, and
cried out faintly, in the French language, "God pity me! I am
sadly wounded--God have mercy on my soul, and on this unfortunate
nation!" His sister, the countess of Swartzenberg, who now hastened
to his side, asked him in German if he did not recommend his
soul to God? He answered, "Yes," in the same language, but with
a feeble voice. He was carried into the dining-room, where he
immediately expired. His sister closed his eyes; his wife, too,
was on the spot--Louisa, daughter of the illustrious Coligny,
and widow of the gallant count of Teligny, both of whom were also
murdered almost in her sight, in the frightful massacre of St.
Bartholomew. We may not enter on a description of the afflicting
scene which followed; but the mind is pleased in picturing the
bold solemnity with which Prince Maurice, then eighteen years
of age, swore--not vengeance or hatred against his father's
murderers--but that he would faithfully and religiously follow
the glorious example he had given him.
Whoever would really enjoy the spirit of historical details should
never omit an opportunity of seeing places rendered memorable by
associations connected with the deeds, and especially with the
death, of great men; the spot, for instance, where William was
assassinated at Delft; the old staircase he was just on the point
of ascending; the narrow pass between that and the dining-hall
whence he came out, of scarcely sufficient extent for the murderer
to held forth his arm and his pistol, two and a half feet long.
This weapon, and its fellow, are both preserved in the museum
of The Hague, together with two of the fatal bullets, and the
very clothes which the victim wore. The leathern doublet, pierced
by the balls and burned by the powder, lies beside the other
parts of the dress, the simple gravity of which, in fashion and
color, irresistibly brings the wise, great man before us, and
adds a hundred-fold to the interest excited by a recital of his
murder.
Public-domain text, read in full here on John Shaqi.
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