The monologue has carried the big fellow out of his chair now. He is
grasping an imaginary spade, a heap of imaginary cabbages by his side.
"So ... we sprinkle sand first, and then cabbages all laid so ... you
understand...." The voice goes on and on, almost the voice of a person
hypnotized.
I lose my perception of what he is saying as I gaze at his sunken eyes
fixed on homely, much-loved scenes I cannot see.
"The best place for the carrots was the sloping bit of ground near the
big oak...." He sees it, his big oak, there before him. He makes me see
it, and what it meant to him. This was the man whom the twentieth
century forced to march away, to kill, and be killed.
"... And little Raoul used to help; yes, with his little hands he would
pat down the sand and laugh to see his finger-marks."
The voice stops abruptly. In the resultant silence I move uneasily.... I
find Deschamps' talk heartbreaking enough, but his silences terrify me.
I try to arouse him from his bleak brooding reverie....
"You had hares too, didn't you, and hens, and a pig...? That must have
helped out with the living."
He comes to himself with a start. "Oh, it was my wife who kept the
animals. She has such a hand for making them thrive. They were like her
other children. Those little chicks, they never died, always prospered,
grew so fat. We always had one or two to sell when she went to town to
market. Angèle used to dress them herself, so that we could have the
feathers. Then she put them in one of the neat baskets she made from the
willow sprouts on the side of our little stream, with a clean white
cloth over them, as clean as her neckerchief. Angèle is as neat as a
nun, always. Our house shone with cleanness ..." He breaks off abruptly.
"I have shown you the photograph of Angèle and Raoul, haven't I,
madame?"
I hold out my hand and gaze again, as I have so many times before, into
the quiet eyes of the young peasant woman with the sturdy little boy at
her side. "She is very pretty, your wife," I say, "and your little boy
looks so strong and vigorous."
"I hear," he said with a great heave of his broad chest, now so sunken,
"that the Boches have taken all the livestock away from the owners, all
the hens and pigs and hares, and sent them to Germany. Perhaps Raoul and
Angèle have not enough to eat ... perhaps there is even no house there
now ... a cousin of mine saw a refugee from his own region ... who had
seen the place where his house had been!... it had been shelled, there
was ..." His mouth sets hard in an angry line of horror.
I bestir myself. This is the sort of talk Deschamps must not be allowed.
"M. Deschamps," I say, "I shall be writing soon to that group of
American friends who gave the money for your articulated arm. Have you
any message to send them? I think they are planning to send some more
money to help you...."
Public-domain text, read in full here on John Shaqi.
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