Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
One can not avoid smiling over this account, in which Hogg cuts so
great a figure, and especially at the idea of _his_ becoming the
editor of such a work; a man who, though a good poet, and wonderful,
all things considered, could just write, and that was all. In the
accounts given by Pringle and Lockhart of the origin of this famous
magazine, we have little or no mention of James Hogg, far less of the
probability of his editorship of it. In this account we must attribute
the largeness of James's figure on the canvas to "that inherent
vanity," which he says he could not for the life of him divest himself
of when speaking of himself. It is true and notorious, however, that
he became and continued for many years one of its chief contributors,
and figured most conspicuously in those admirable papers, the Noctes
Ambrosianæ. In these, language of the most beautiful and poetical kind
was often put into the Shepherd's mouth; but it must also be
confessed, much oftener language of a very different kind. He was made
to figure as a coarse toper and buffoon. That he was at once proud of
figuring so largely in the Noctes, and yet felt acutely the degrading
character fixed on him there, is evident from his own statement in his
autobiography. In speaking of Professor Wilson, to whom he deservedly
awards a noble nature, he says: "My friends in general have been of
opinion that he has amused himself and the public too often at my
expense: but, except in one instance, which terminated very ill for
me, and in which I had no more concern than the man in the moon, I
never discerned any evil design on his part, and thought it all
excellent sport. At the same time, I must acknowledge that it was
using too much freedom with any author, to print his name in full to
poems, letters, and essays, which he himself never saw. I do not say
that he has done this; but either he or some one else has done it many
a time."[1]
[1] Memoir, p. 87.
But speaking of Blackwood, the publisher, he assumes a different tone.
"For my part, after twenty years of feelings hardly suppressed, he has
driven me beyond the bounds of human patience. That magazine of his,
which owes its rise principally to myself, has often put words and
sentiments into my mouth of which I have been greatly ashamed, and
which have given much pain to my family and relations; and many of
these, after a solemn written promise that such freedoms should never
be repeated. I have been often urged to restrain and humble him by
legal measures, as an incorrigible offender deserves. I know I have it
in my power, and if he dares me to the task, I want but a hair to make
a tether of."[2]
[2] Ib., p. 107.
Public-domain text, read in full here on John Shaqi.
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