Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)Howitt, William
General
Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
It must be confessed that no justification can be offered for such
treatment. Such was my own opinion, derived from this source, of Hogg,
and from prints of him, with wide open mouth and huge straggling
teeth, in full roars of drunken laughter, that, on meeting him in
London, I was quite amazed to find him so smooth, well-looking, and
gentlemanly a sort of person.
There are many truths which James Hogg in his honest candor speaks
out, that not one author in a thousand, stand as high and as strong as
he may, dares speak out, for fear of the trade, as it is called. For
instance, who will not set the seal of his authorly experience to
this: "I would never object trusting a bookseller, were he a man of
any taste; for, unless he wishes to reject an author altogether, he
can have no interest in asserting what he does not think. But the
plague is, they _never read works themselves_, but give them to
their minions, with whom there never fails to lurk a literary
jealousy; and whose suggestions may be uniformly regarded as any thing
but truth. For my own part, I know that I have always been looked on
by the learned part of the community as an intruder in the paths of
literature, and every opprobrium has been thrown on me from that
quarter. The truth is, that I am so. The walks of learning are
occupied by a powerful aristocracy, who deem that province their own
peculiar right; else, what would avail all their dear-bought
collegiate honors and degrees?"[3]
[3] Memoir, p. 81.
So true is James, so far as regards the practice of publishers never
reading the MSS. submitted to them, but consigning them to
readers;--_i.e._, publishers being the only dealers who never
pretend to judge of the article they deal in;--that since the
publication of the Book of Seasons, which was declined by half-a-dozen
of the principal publishing houses in London, I never suffered a MS.
of mine to be inspected by any publisher. What is more, finding that
publishers in bargaining for copyrights never offered more than half
the profits of a single edition, I have always persisted in refusing
to sell copyrights, and sold only editions. This is a point that all
authors should attend to. An author is not justified in selling the
copyrights of his works, which should become the property of his
family, especially as he may rest assured that he will, in nine cases
out of ten, never get more for the whole copyright than he ought to
have for a single edition. The late Mr. Longman once spoke to me a
great truth--a truth confirmed by all experiences of all authors, in
all ages, the present forming no exception--that "Authorship is an
agreeable addition to a tolerable fixed income, but as a total
dependence is a wretched reed." Scott, the most successful author of
any age, though possessed of a good income independent of literature,
died a bankrupt. Maginn, Hood, Blanchard, and a host of others, have
yet to swell the history of the calamities of authors.
Public-domain text, read in full here on John Shaqi.
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