French fiction -- Translations into English; Short stories, French -- Translations into English
"If you choose to abandon your understanding to the three immensities
that surround us, the air, the water, and the sand, listening solely to
the repeated sound of the flow and the outflow," I replied, "you will
not be able to endure its language; you will fancy that you discover
therein a thought which will overwhelm you. Yesterday, at sunset, I had
that sensation; it prostrated me."
"Oh, yes, let us talk," she said, after a long pause. "No orator can
be more terrible than this silence. I fancy that I have discovered
the causes of the harmony which surrounds us," she continued. "This
landscape, which has only three sharp colours, the brilliant yellow
of the sand, the blue of the sky, and the smooth green of the sea, is
grand without being wild, it is immense without being a desert, it is
changeless without being monotonous; it has only three elements, but it
is diversified."
"Women alone can express their impressions thus," I replied; "you would
drive a poet to despair, dear heart, whom I divined so perfectly."
"The excessive noonday heat imparts a gorgeous colour to those three
expressions of infinity," replied Pauline, laughing. "I can imagine
here the poesy and the passion of the Orient."
"And I can imagine its despair."
"Yes," she said; "that dune is a sublime cloister."
We heard the hurried step of our guide; he had dressed himself in
his best clothes. We said a few formal words to him; he evidently
saw that our frame of mind had changed, and, with the reserve that
misfortune imparts, he kept silent. Although we pressed each other's
hands from time to time, to advise each other of the unity of our
impressions, we walked for half an hour in silence, whether because we
were overwhelmed by the heat, which rose in shimmering waves from the
sand, or because the difficulty of walking absorbed our attention. We
walked on, hand in hand, like two children; we should not have taken
a dozen steps if we had been arm in arm. The road leading to Batz was
not marked out; a gust of wind was enough to efface the footprints of
horses or the wheel-ruts; but our guide's practised eye recognised the
road by the droppings of cattle or of horses. Sometimes it went down
towards the sea, sometimes rose towards the upland, at the caprice of
the slopes, or to skirt a rock. At noon, we were only half-way.
"We will rest there," said I, pointing to a promontory formed of rocks
high enough to lead one to suppose that we should find a grotto there.
When I spoke, the fisherman, who had followed the direction of my
finger, shook his head and said:
"There's some one there! People who go from Batz to Le Croisic, or from
Le Croisic to Batz, always make a detour in order not to pass that
rock."
The man said this in a low voice, and we divined a mystery.
"Is he a thief, an assassin?"
Our guide replied only by a long-drawn breath which increased our
curiosity.
"But will anything happen to us if we pass by there?"
"Oh no!"
"Will you go with us?"
"No, monsieur."
Public-domain text, read in full here on John Shaqi.
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