French fiction -- Translations into English; Short stories, French -- Translations into English
"I reached the château about eleven o'clock; I mounted the main
staircase. After passing through divers large rooms, high and dark, and
as cold and damp as the devil, I reached the state bedchamber where the
countess was. According to the reports that were current concerning
that lady--I should never end, monsieur, if I should repeat all the
stories that are told about her--I had thought of her as a coquette.
But, if you please, I had much difficulty in finding her in the huge
bed in which she lay. To be sure, to light that enormous wainscoted
chamber of the old _régime_, where everything was so covered with dust
that it made one sneeze simply to look at it, she had only one of those
old-fashioned Argand lamps. Ah! but you have never been to Merret.
Well, monsieur, the bed is one of those beds of the olden time, with
a high canopy of flowered material. A small night-table stood beside
the bed, and I saw upon it a copy of the _Imitation of Jesus Christ_,
which, by the by, I bought for my wife, as well as the lamp. There was
also a large couch for the attendant, and two chairs. Not a spark of
fire. That was all the furniture. It wouldn't have filled ten lines in
an inventory.
"Oh! my dear monsieur, if you had seen, as I then saw it, that huge
room hung with dark tapestry, you would have imagined yourself
transported into a genuine scene from a novel. It was icy cold; and,
more than that, absolutely funereal," he added, raising his arm with
a theatrical gesture, and pausing for a moment. "By looking hard and
walking close to the bed, I succeeded in discovering Madame de Merret,
thanks to the lamp, the light of which shone upon the pillow. Her face
was as yellow as wax, and resembled two clasped hands. She wore a lace
cap, which revealed her lovely hair, as white as snow. She was sitting
up, and seemed to retain that position with much difficulty. Her great
black eyes, dulled by fever no doubt, and already almost lifeless,
hardly moved beneath the bones which the eyebrows cover--these," he
said, pointing to the arch over his eyes.--"Her brow was moist. Her
fleshless hands resembled bones covered with tightly-drawn skin; her
veins and muscles could be seen perfectly. She must have been very
beautiful; but at that moment I was seized with an indefinable feeling
at her aspect. Never before, according to those who laid her out, had
a living creature attained such thinness without dying. In short, she
was horrible to look at; disease had so wasted that woman that she
was nothing more than a phantom. Her pale violet lips seemed not to
move when she spoke to me. Although my profession had familiarised me
with such spectacles, by taking me sometimes to the pillows of dying
persons to take down their last wishes, I confess that the families in
tears and despair whom I had seen were as nothing beside that solitary,
silent woman in that enormous château.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account