French fiction -- Translations into English; Short stories, French -- Translations into English
Overwhelmed by surprise and distress at that moment of his overweening
presumption, the poor neophyte would not have entered the studio of
the painter to whom we owe the admirable portrait of Henri IV., except
for an extraordinary reinforcement sent him by chance. An old man
ascended the stairs. From the oddity of his costume, the magnificence
of his lace ruff, the ponderous self-assurance of his gait, the young
man divined that he was either the painter's patron or his friend;
he drew back against the wall to make room for him, and gazed at him
curiously, hoping to find in him the kindly nature of an artist, or the
obliging disposition of those who love art; but he detected something
diabolical in that face, and above all that indefinable expression
which artists dote upon. Imagine a bald, prominent, even protuberant
forehead, overshadowing a small, flattened nose, turned up at the
end like Rabelais's or Socrates's; a smiling mouth, wrinkled at the
corners; a short chin, proudly raised, and adorned with a gray beard
trimmed to a point; sea-green eyes, apparently dulled by age, which,
however, by virtue of the contrast of the pearly-white in which the
pupils swam, sometimes emitted magnetic glances under the spur of
wrath or enthusiasm. The face was woefully ravaged by the fatigues of
age, and even more by the thoughts which tire mind and body alike. The
eyes had no lashes, and one could barely detect a trace of eyebrows
over their protruding arches. Place that head upon a slender and
fragile body, surround it with a lace ruff of snowy whiteness and of a
pattern as elaborate as that of a silver fish-knife, throw a heavy gold
chain over the old man's black doublet, and you will have an imperfect
image of that individual, to whom the dim light of the hall imparted
an even stranger colouring. You would have said that it was one of
Rembrandt's canvases, walking silently, without a frame, through the
dark atmosphere which that great painter made his own. The old man cast
a sagacious glance at the young one, tapped thrice on the door, and
said to a sickly-looking personage of about forty years, who opened it:
"Good morning, master."
Public-domain text, read in full here on John Shaqi.
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