Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
In La Fille aux Yeux d'Or is found a description of the
salon in the rue des Batailles. It is of the most scrupulous
fidelity, and one will not be displeased to see the lion's
den painted by himself. There is not a detail to add or to
subtract.
"Half of the sitting room described a delicately graceful
circular line, opposite of which the other half was
perfectly square, in the middle of which shined a fireplace
of white marble and gold. One entered through a side
door concealed by a rich tapestry and which faced a
window. The horseshoe-shaped section of the room was
decorated with a real Turkish divan, that is to say with a
mattress placed on the ground, but a mattress as large as
a bed, a divan fifty feet in circumference covered in white
cashmere, embellished with tufts of black and poppy-colored
silk, arranged in a diamond pattern; the back of
this immense bed was elevated several inches higher by
the numerous cushions that enriched it further by their
stylish compatibility. This sitting room was hung with a
red fabric on which was mounted a muslin from the
Indies that was fluted like a Corinthian column by piping
that alternated between hollow and round and stopped at
the top and bottom with a band of poppy-colored fabric,
on which were drawn some black arabesques. Under the
muslin, the poppy color became rose, an amorous color
that repeated in the window curtains, which were of
muslin from the Indies lined with rose-colored taffeta
and ornamented with poppy and black fringes. Six silver
arms each supporting two candles were attached to these
wall coverings at equal distances, to illuminate the divan.
The ceiling, from the center of which hung a lantern of
matte silver, sparkled with whiteness, and the molding
was gilded. The carpet resembled an Oriental shawl, it
presented the designs and recalled the poetry of Persia,
where the hands of slaves had created it. The furniture
was covered in white cashmere, set off by black and
poppy-colored accents. The clock, the candelabras, all
were of white marble and gold. The only table in the
room had a cashmere covering; elegant jardinières
contained roses of every type, and white or red flowers."
I can add that upon the table was placed a magnificent
writing desk in gold and malachite, the gift, without a
doubt, of some admiring stranger.
Public-domain text, read in full here on John Shaqi.
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