Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
In the same apartment on the rue des Batailles, whose
salon I described using Balzac's own words, I recall
having seen a magnificent sketch of Louis Boulanger
after a bas-relief of Léda and the Swan attributed to
Michelangelo. It was the only picture that it contained,
because the author of La Comédie Humaine did not yet
have the taste for paintings and curiosities that he would
later develop, and his luxury then, as we have seen,
consisted more of sumptuousness than of art. His painter
was Girodet. Some of his first stories show the influence
of this admiration which led me to tease him with jibes
that he accepted with good grace.
IV
One of the dreams of Balzac was of a heroic and devoted
friendship, two souls, two courages, two intelligences
blended into the same will. Pierre and Jaffier of Otway's
Venice Preserv'd had impressed him greatly and he spoke of
them many times. L'Histoire des Treize is nothing but this
idea enlarged and complicated: one powerful unit
composed of multiple beings acting unquestioningly
toward an accepted and suitable goal. We know what
gripping, mysterious and terrible effects he has drawn
from this starting point in Ferragus, La Duchesse de Langeais,
and La Fille aux Yeux d'Or; but real life and the
intellectual life were not as clearly separated for Balzac as
they were for certain authors, and his creations followed
him outside of his study. He wanted to form an
association after the fashion of that which united
Ferragus, Montriveau, Ronquerolles, and their
companions. Only it was not done in such bold strokes; a
certain number of friends were to lend each other aid and
relief at all times, and to work according to their
strengths for the success or the fortune of the individual
who would be selected, with the understanding that that
person should in turn work for the others. Very much
infatuated with his project, Balzac recruited some
associates whom he put in contact with each other but
took precautions as if it were a political society or a
meeting of Carbonari. This needless mystery amused him
considerably, and he pursued his activities with the
utmost seriousness. When their numbers were complete,
he assembled the adepts and made known the goal of the
society. It need not be said that everyone was in
agreement, and that the statutes were approved with
enthusiasm. No one more than Balzac possessed the
ability to agitate, to overexcite, to intoxicate the coolest
heads, the most considered intellects. He had an
eloquence that was overflowing, tumultuous, rousing,
that carried you off: no objection was possible with him;
he would immediately drown you in such a deluge of
words that you were compelled to be silent. Besides he
had an answer for everything; then he would cast upon
you glances that were so sharp, so brilliant, so full of a
mysterious power that he would infuse you with his own
desire.
Public-domain text, read in full here on John Shaqi.
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