Honore de Balzac, His Life and WritingsSandars, Mary Frances
General
Honore de Balzac, His Life and Writings
Sandars, Mary Frances
Balzac, Honoré de, 1799-1850; Novelists, French -- 19th century -- Biography
In consequence of the disturbed state of the political atmosphere, the
outlook for literature was tragic; and Balzac, who was in immediate
want of money, found himself in terrible straits. Living with two
servants in his luxurious little house, surrounded by works of art
which had cost thousands of francs, he was almost dying of hunger. His
food consisted of boiled beef, which was cooked and eaten hot once a
week, and the remaining six days he subsisted on the cold remains. It
seemed impossible to raise money for his present pressing necessities.
He managed to sell "L'Initie,"[*] at a ridiculously small price, to an
ephemeral journal called _Le Spectateur Republicain_, but only
received in return bills at a long date, and it was doubtful whether
he was ever paid the money due to him.
[*] "La Genese d'un Roman de Balzac," by the Vicomte de Spoelberch de
Lovenjoul.
Nevertheless, whatever effects his privations may have had on his
health, they did not subdue his spirits, as both Lemer and
Champfleury,[*] who each spent several hours with him in the Rue
Fortunee, talk of his undiminished vivacity, his hearty fits of
laughter, and his confident plans for the future. Lemer, who had known
him before, does indeed remark that he seemed much aged; but
Champfleury, who saw him for the first time, is only struck with his
strength, animal spirits, and keen intelligence. In the midst of the
despondent unhealthy tendencies of the literary talent of his day, he
was still, with his _joie de vivre_, a man apart. _Naif_, full of a
charming pride, he loved literature "as the Arab loves the wild horse
he has found a difficulty in subduing." Nevertheless, material
prosperity, as ever, occupied an important place in the foreground of
his scheme of life, and his mind was still running on the theatre, as
the great means of gaining money. He warned Champfleury not to follow
his example, which led after the production of many books to an
existence of deplorable poverty, but to write only three novels a
year, so that ten months annually should be left for making a fortune
by working for the theatre, "car il faut que l'artiste mene une vie
splendide."[+]
[*] "Balzac, sa Vie, son Oeuvre," by Julien Lemer.
[+] "Grandes Figures d'Hier et d'Aujourd'hui," by Champfleury.
Public-domain text, read in full here on John Shaqi.
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