Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
Many of Home's admirers have declared that he possessed the power of
mesmerizing certain of his friends. These gentlemen were no doubt
hypnotized and related honestly what they believed they had seen. Again,
the expectancy of attention and the nervous tension of the average sitter
in spirit-circles tend to produce a morbidly impressible condition of
mind. Many mediums since Home's day have performed the act of levitation,
but always in a dark room. Mr. Angelo Lewis, the writer on magic, reveals
an ingenious method by which levitation is effected. When the lights are
extinguished the medium--who, by the way, must be a clever
ventriloquist--removes his boots and places them on his hands.
"I am rising, I am rising, but pay no attention", he remarks, as he goes
about the apartment, where the sitters are grouped in a circle about him,
and he lightly touches the heads of various persons. A shadowy form is
dimly seen and a smell of boot leather becomes apparent to the olfactory
senses of many present. People jump quickly to conclusions in such matters
and argue that where the feet of the medium are, his body must surely
be--namely, floating in the air. The illusion is further enhanced by the
performer's ventriloquial powers. "I am rising! I am touching the
ceiling!" he exclaims, imitating the sound of a voice high up. When the
lights are turned up, the medium is seen (this time with his boots on his
feet) standing on tip-toe, as if just descended from the ceiling.
Sometimes before performing the levitation act, he will say, "In order to
convince any skeptic present, that I really float upwards, I will write
the initials of my name, or the name of some one present, on the
ceiling." When the lights are raised, the letters are seen written on the
ceiling in a bold scrawling hand. How is it done? The medium has concealed
about him a telescopic steel rod, something like those Chinese fishing
rods at one time in vogue among modern disciples of Izaak Walton. This
convenient rod when not in use folds up in a very small compass, but when
it is shoved out to its full length, some three or four feet, with a bit
of black chalk attached, the writing on the ceiling is easily produced.
The magicians of ancient Egypt displayed their mystic rods as a part of
their paraphernalia, while the modern magi bear theirs in secret. A
tambourine, a guitar, a bell, or a spirit hand, rubbed with phosphorus,
may also be fixed to this ingenious appliance, and floated over the heads
of the spectators, and even a horn may be blown, through the hollow rod.
Public-domain text, read in full here on John Shaqi.
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