Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
The materialization of a spirit hand which crept from beneath a
table-cover, and showed itself to the "believers," was one of the most
startling things in the repertoire of D. D. Home, as it was in that of Dr.
Monck's, an English medium. An explanation of Monck's method of producing
the hand may, perhaps, throw some light on Home's "materialization." A
small dummy hand, artistically executed in wax, with the fingers slightly
bent, is fastened to a broad elastic band about three feet in length. This
band is attached to a belt about the performer's waist and passes down his
left trouser leg, allowing the hand to dangle within the trouser a few
inches above the ankle. I must not forget to explain that to the wrist of
the hand is appended an elastic sleeve about five inches long. The medium
and two sitters take their seats at a square table, with an over-hanging
table-cloth. No one is allowed to be seated at the same side of the table
with the medium. This is an imperative condition.
"Diminish the light, please," says the medium. Some one rises to lower the
gas to the required dim religious light necessary to all spirit séances.
"A little lower, please! Lower, lower still!" remarks the medium. Out the
light goes. "Dear, me, but this is vexatious! Somebody light it again and
be more careful!" he ejaculates. Under cover of the darkness the agile
operator crosses his left foot over his right knee, pulls down the wax
hand and fixes it to the toe of his boot by means of the elastic sleeve,
the apparatus being masked from the sitters by the table cloth until the
time comes for the spirit materialization. The three men place their
hands on the table and wait patiently for developments. Presently a rap is
heard under the table--disjointed knee of the medium,--and then _mirabile
dictu!_ the table-cloth shakes and a delicate female hand emerges and
shows itself above the edge of the table. A guitar being placed close to
the fingers, they soon strum the strings, or rather appear to do so, the
medium being the _deus ex machina_. The cleverest part of the whole
performance is the fact that the medium never takes his hands from the
table. He quietly puts his left foot down on the floor and places his
right foot heavily on the false hand--off it comes from the left foot and
shoots up the trouser leg like lightning. The sitters may look under the
table but they see nothing.
Public-domain text, read in full here on John Shaqi.
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