Your birds (says our friend, resuming his work, and addressing himself again to the Zoological Society), are as happy as the day is--he was about to add, long, but glances at the light and substitutes--short. Their natural habits are perfectly understood, their structure is well-considered, and they have nothing to desire. Pass from your birds to those members of your collection whom Mr. Rogers used to call, “our poor relations.” Of course I mean the monkeys. They have an artificial climate carefully prepared for them. They have the blessing of congenial society carefully secured to them. They are among their own tribes and connexions. They have shelves to skip upon, and pigeon-holes to creep into. Graceful ropes dangle from the upper beams of their sitting-rooms, by which they swing, for their own enjoyment, the fascination of the fair sex, and the instruction of the enquiring minds of the rising generation. Pass from our poor relations to that beast, the Hippopotamus--What do you mean? The last enquiry is addressed, not to the Zoological Society, but to the Bulldog, who has deserted his position, and is sneaking away. Passing his brush into the left thumb on which he holds his palette, our friend leisurely walks up to the Bulldog, and slaps his face! Even we, whose faith is great, expect to see him next moment with the Bulldog hanging on to his nose; but, the Bulldog is abjectly polite, and would even wag his tail if it had not been bitten off in his infancy. Pass, I was saying (coolly pursues our friend at his easel again), from our poor relations to that impersonation of sensuality, the Hippopotamus. How do you provide for him? Could he find, on the banks of the Nile, such a villa as you have built for him on the banks of the Regent’s canal? Could he find, in his native Egypt, an appropriately furnished drawing-room, study, bath, wash-house, and spacious pleasure-ground, all en suite, and always ready? I think not. Now, I beseech your managing committee and your natural philosophers, to come with me and look at the Lions. Here, our friend seizes a piece of charcoal and instantly produces, on a new canvas standing on another easel near, a noble Lion and Lioness. The Bulldog (who deferentially resumed his position after having his face slapped), looks on in manifest uneasiness, lest this new proceeding should have something to do with him.