Household words, No. 5, April 27, 1850 — John Shaqi
Household words, No. 5, April 27, 1850
General
Household words, No. 5, April 27, 1850
English literature -- Periodicals
passed through more formal judicial ordeals, and the result was, that
the coroner’s prime witness was hanged for the _murder_ of the old
woman. We must have it distinctly understood that not the faintest
shade of parallel exists between the two cases. We bring them together
solely to illustrate the evils of a system.
On passing into the baker’s parlour, dumb witnesses presented
themselves, which—properly or improperly—must have had their effect on
the promoters of the inquiry. The piano indicated hours formerly
spent, and thoughts once indulged, which, when imagined by minds fresh
from the appalling reality in the squalid kitchen, must have excited
new throes of indignation and pity. One portrait was that of the
bruised and crushed corpse when living and young. Then she must have
been comely; now no feature could be recognised as ever having been
human. Then, she was cleanly and neatly dressed, and, if the pictured
smile might be trusted, happy; now, she lay amidst dirt, the victim of
long, long ill-usage and lingering misery, ended in premature death.
The other, was a likeness of her husband. Had words of love ever
passed between the originals of those painted effigies? Had they ever
courted? It seemed that one of the jurors was inwardly asking some
such question while gazing at the portraits, for he was visibly
affected.
We all at length made our way to the ‘Two Spies’ in Whitehart Yard,
Brydges Street. The accommodation afforded was a little more spacious
than those of the Old Drury; but the delegated Majesty of the Crown
had no dignity imparted to it from the coroner’s figure being brought
out in relief by a clothes-horse and table cloth which were, during
the inquiry, placed behind him to serve as a fire-screen. Neither did
the case of stuffed birds, the sampler of Moses in the bulrushes, the
picture of the licensed victuallers’ school, or the portraits of the
rubicund host and of his ‘good lady,’ tend to impress the minds of
jury, witnesses, or spectators, with that awe for the supremacy of the
Law which a court of justice is expected to inspire.
Public-domain text, read in full here on John Shaqi.
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