How music grew, from prehistoric times to the present day — John Shaqi
How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
It seems like a fairy tale that we can bring back the manners and
customs of three thousand years ago through studying the writings in
stone called hieroglyphics, and by examining the things used every day,
that were found in the excavations. For a long time the hieroglyphics
were unsolved riddles until the discovery in 1799 A.D. of the Rosetta
stone, on which was an inscription in hieroglyphics with its Greek
translation. Although ancient Greek is called a dead language, it still
has enough life in it to bring back the history and records of
antiquity. Through this knowledge of Greek, the Egyptian inscriptions
speak to us and tell us marvelous stories of ancient Egypt.
In one of the tombs at Thebes, was a harp with strings of catgut, which
when plucked, still gave out sounds although the harp had probably not
been played upon in three thousand years!
Going once more to our ancient stone library—or collections of monuments
in our museums or in Egypt—we see many pictures of dancers. The
Egyptians danced in religious ceremonies as well as in private
entertainments. They loved lively dances, and the men did all sorts of
acrobatic steps and even toe-dancing like our Pavlowa, while the women
did the slow, languorous dances.
Egyptian music was greatest as far back as 3000 B.C.! After that it grew
poorer until 525 B.C. when Egypt was conquered by Persia.
THE EGYPTIAN SCALE
The Egyptians must have used a musical scale of whole steps and half
steps, covering several octaves, not unlike ours. Think of the piano
keyboard with its black and its white keys and you will get an idea of
the Egyptian scale. We learned this through the discovery of a flute
that played a scale of half steps from _a_ below middle _c_ to _d_ above
the staff with only a few tones missing.
ASSYRIAN MUSIC
In the British Museum in London and in the Louvre in Paris, you can see
ancient records which archaeologists unearthed from three mounds near
the River Tigris in Asiatic Turkey. These mounds were the remains of the
Assyrian cities of Nimroud (Babylon), Khorsabad, and probably the famous
Nineveh, and date from 3000 to 1300 B.C.
Did Assyria influence Egypt or was it the other way around? The
Egyptians excelled in making mechanical things such as instruments,
utensils, tools, and in building temples and pyramids; while the
Assyrians were sculptors, workers in metals and enamel, and knew the
secret of dyeing and weaving stuffs, and of making beautiful pottery.
But whose music was the better, the Egyptians or the Assyrians, is
impossible to say. We do know, however, that the Assyrians, as well as
the Egyptians and Hebrews, had perfected music far beyond the standard
reached by many nations of our own time.
Public-domain text, read in full here on John Shaqi.
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