How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
The Assyrians had the same families of instruments that we have,—the
percussion (or drums), wind, and strings; and they used different
combinations of instruments in concerts, either in instrumental
performances or for accompanying vocal music. Everything that we know
about them shows that the Assyrians were greater noisemakers than the
Egyptians, for they not only had drums and trumpets, but they also
marked rhythm by stamping their feet instead of clapping their hands.
The instruments pictured on the monuments, probably existed many
centuries before the building of these monuments, which would make them
very old indeed. In fact, almost all of them are still in use in the
Orient today and are played in the same way. The monuments also prove
that some of the special ceremonies in which music was used are still in
existence.
Both the Assyrians and the Egyptians had flutes, and double flutes which
were actually two flutes connected by one mouthpiece and looked like the
letter v. The Assyrians also had harps that varied in size from some
that could be carried in the hand, to some that stood seven feet high
and had as many as twenty-two strings. The dulcimer, an instrument
something like a zither, was very popular and was made so that it could
be played standing upright or lying flat. They also had drums,
castanets, cymbals, tambours or tambourines, and lyres, all of which
could be easily carried.
The Assyrians being a warlike nation made their instruments so that they
could be strapped to their bodies. So it seems that people in 3000 B.C.
were practical.
The Assyrians were so fond of music that when their war-prisoners were
musicians they were not put to death.
HEBREW MUSIC
We get our knowledge of the Hebrew music not from stone monuments and
wall pictures, but from Biblical writings and other ancient Hebrew
records. In the Second Commandment, God forbids the Hebrews to make
images:
“Thou shalt not make unto thyself any graven image, nor the likeness of
anything that is in heaven above, or in the earth beneath, or in the
waters under the earth.” (Exodus XXI: 4.) With so strict a commandment,
you can understand why there are no pictures of singers and of
instruments, and that we have to go to the greatest literary gift to the
world,—the Old Testament, to find out about their music.
Public-domain text, read in full here on John Shaqi.
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