How the Poor Live; and, Horrible London: 1889Sims, George R. (George Robert)
History
How the Poor Live; and, Horrible London: 1889
Sims, George R. (George Robert)
Poor -- England -- London -- History -- 19th century; Public housing -- England -- London
We are anxious to see what kind of people get safely up and down this
staircase, and as we ascend we knock accidentally up against something;
it is a door and a landing. The door is opened, and as the light is
thrown on to where we stand we give an involuntary exclamation of
horror; the door opens right on to the corner stair. The woman who comes
out would, if she stepped incautiously, fall six feet, and nothing
could save her. It is a tidy room this, for the neighbourhood. A good
hardworking woman has kept her home neat, even in such surroundings. The
rent is four and sixpence a week, and the family living in it numbers
eight souls; their total earnings are twelve shillings. A hard lot, one
would fancy; but in comparison to what we have to encounter presently
it certainly is not. Asked about the stairs, the woman says, 'It is a
little ockard-like for the young 'uns a-goin' up and down to school now
the Board make 'em wear boots; but they don't often hurt themselves.'
Minus the boots, the children had got used to the ascent and descent, I
suppose, and were as much at home on the crazy staircase as a chamois on
a precipice. _Excelsior_ is our motto on this staircase. No maiden
with blue eyes comes out to mention avalanches, but the woman herself
suggests 'it's werry bad higher up.' We are as heedless of the warning
as Longfellow's headstrong banner-bearer, for we go on.
It is 'werry bad' higher up, so bad that we begin to light some more
matches and look round to see how we are to get down. But as we continue
to ascend the darkness grows less and less. We go a step at a time,
slowly and circumspectly, up, up to the light, and at last our heads are
suddenly above a floor and looking straight into a room.
We have reached the attic, and in that attic we see a picture which will
be engraven on our memory for many a month to come.
The attic is almost bare; in a broken fireplace are some smouldering
embers; a log of wood lies in front like a fender. There is a broken
chair trying to steady itself against a wall black with the dirt of
ages. In one corner, on a shelf, is a battered saucepan and a piece of
dry bread. On the scrap of mantel still remaining embedded in the wall
is a rag; on a bit of cord hung across the room are more rags--garments
of some sort, possibly; a broken flower-pot props open a crazy
window-frame, possibly to let the smoke out, or in--looking at the
chimney-pots below, it is difficult to say which; and at one side of the
room is a sack of Heaven knows what--it is a dirty, filthy sack, greasy
and black and evil-looking. I could not guess what was in it if I tried,
but what was on it was a little child--a neglected, ragged, grimed,
and bare-legged little baby-girl of four. There she sat, in the bare,
squalid room, perched on the sack, erect, motionless, expressionless, on
duty.
Public-domain text, read in full here on John Shaqi.
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