At seventeen Leon Kantor had played before the crowned heads of Europe, the aching heads of American capital, and even the shaved head of a South Sea prince. There was a layout of anecdotal gifts, from the molar tooth of the South Sea prince set in a South Sea pearl to a blue-enameled snuff-box incrusted with the rearing-lion coat-of-arms of a very royal house. At eighteen came the purchase of a king's Stradivarius for a king's ransom, and acclaimed by Sunday supplements to repose of nights in an ivory cradle. At nineteen, under careful auspices of press agent, the ten singing digits of the son of Abrahm Kantor were insured at ten thousand dollars the finger. At twenty he had emerged surely and safely from the perilous quicksands which have sucked down whole Lilliputian worlds of infant prodigies. At twenty-one, when Leon Kantor played a Sunday-night concert, there was a human queue curling entirely around the square block of the operahouse, waiting its one, two, even three and four hours for the privilege of standing room only. Usually these were Leon Kantor's own people pouring up from the lowly lands of the East Side to the white lands of Broadway, parched for music, these burning brethren of his--old men in that line, frequently carrying their own little folding camp-chairs, not against weariness of the spirit, but of the flesh; youth with Slavic eyes and cheek-bones. These were the six-deep human phalanx which would presently slant down at him from tiers of steepest balconies and stand frankly emotional and jammed in the unreserved space behind the railing which shut them off from the three-dollar seats of the reserved. At a very special one of these concerts, dedicated to the meager purses of just these, and held in New York's super opera-house, the Amphitheater, a great bowl of humanity, the metaphor made perfect by tiers of seats placed upon the stage, rose from orchestra to dome. A gigantic cup of a Colosseum lined in stacks and stacks of faces. From the door of his dressing-room, leaning out, Leon Kantor could see a great segment of it, buzzing down into adjustment, orchestra twitting and tuning into it. In the bare little room, illuminated by a sheaf of roses, just arrived, Mrs. Kantor drew him back by the elbow. "Leon, you're in a draught." The amazing years had dealt kindly with Mrs. Kantor. Stouter, softer, apparently even taller, she was full of small new authorities that could shut out cranks, newspaper reporters, and autograph fiends. A fitted-over-corsets black taffeta and a high comb in the graying hair had done their best with her. Pride, too, had left its flush upon her cheeks, like two round spots of fever. "Leon, it's thirty minutes till your first number. Close that door. Do you want to let your papa and his excitement in on you?"