Humoresque: A Laugh on Life with a Tear Behind It — John Shaqi
Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
General
Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
The baby ceased clattering his spoon against the wooden bib. A silence
seemed to shape itself.
So black and so bristly of head, his little clawlike hands hovering over
the bow, Leon Kantor withdrew a note, strangely round and given up
almost sobbingly from the single string. A note of warm twining quality,
like a baby's finger.
"Leon--darlink!"
Fumbling for string and for notes the instrument could not yield up to
him, the birdlike mouth began once more to open widely and terribly into
the orificial O.
It was then Abrahm Kantor came down with a large hollow resonance of
palm against that aperture, lifting his small son and depositing him
plop upon the family album.
"Take that! By golly! one more whimper out of you and if I don't make
you black-and-blue, birthday or no birthday! Dish up, Sarah, quick, or
I'll give him something to cry about."
The five pink candles had been lighted, burning pointedly and with
slender little smoke wisps. Regarding them owlishly, the tears dried on
Leon's face, his little tongue licking up at them.
"Look how solemn he is, like he was thinking of something a million
miles away except how lucky he is he should have a pink birthday-cake.
Uh--uh--uh! Don't you begin to holler again. Here, I'm putting the
feedle next to you. Uh--uh--uh!"
To a meal plentifully ladled out directly from stove to table, the
Kantor family drew up, dipping first into the rich black soup of the
occasion. All except Mrs. Kantor.
"Esther, you dish up. I'm going somewhere. I'll be back in a minute."
"Where you going, Sarah? Won't it keep until--"
But even in the face of query, Sarah Kantor was two flights down and
well through the lambent aisles of the copper-shop. Outside, she broke
into run, along two blocks of the indescribable bazaar atmosphere of
Grand Street, then one block to the right.
Before Mattel's show-window, a jet of bright gas burned into a
jibberwock land of toys. There was that in Sarah Kantor's face that was
actually lyrical as, fumbling at the bosom of her dress, she entered.
To Leon Kantor, by who knows what symphonic scheme of things, life was a
chromatic scale, yielding up to him, through throbbing, living nerves of
sheep-gut, the sheerest semitones of man's emotions.
When he tucked his Stradivarius beneath his chin the book of life seemed
suddenly translated to him in melody. Even Sarah Kantor, who still
brewed for him, on a small portable stove carried from city to city and
surreptitiously unpacked in hotel suites, the blackest of soups, and,
despite his protestation, would incase his ears of nights in an old
home-made device against their flightiness, would oftentimes bleed
inwardly at this sense of his isolation.
There was a realm into which he went alone, leaving her as detached as
the merest ticket purchaser at the box-office.
Public-domain text, read in full here on John Shaqi.
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